1 ADHÉMAR, JEAN. Influences antiques dans l’art du Moyen Age français. Recherches sur les sources et les thèmes d’inspiration. (Studies of the Warburg Institute. 7.) xvi, (2), 344pp, 40 plates. 4to. Cloth. London (Warburg Institute), 1939.
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2 ADINOLFI, PASQUALE. La via Sacra o del Papa: Tra ‘l cerchio di Alessandro ed il teatro di Pompeo. Quinto saggio della topografia di Roma nell’età di mezzo. Dato sopra pubblici e privati documenti. (4), 211pp. Sm. 4to. Wraps.
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4 ALBERTINI, FRANCESCO. Opusculum de mirabilibus novae urbis Romae. Herausgegeben von August Schmarsow. xviii, 77, (3)pp. Orig. wraps. (chipped at spine; loose).
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5 ALLEN, DON CAMERON. Mysteriously Meant. The rediscovery of pagan symbolism and allegorical interpretation in the Renaissance. x, (2), 354pp. 4 illus. 4to. Cloth. D.j.
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6 ALLEN, MICHAEL J.B. Marsilio Ficino and the Phaedran Charioteer. (Publications of the Center for Medieval and Renaissance Studies, UCLA. 14.) viii, (2), 274pp. 4to. Cloth. D.j.
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7 AMES-LEWIS, FRANCIS & WRIGHT, JOANNE. Drawing in the Italian Renaissance Workshop. 328pp. Prof. illus. 4to. Wraps. Published in conjunction with an exhibition at the University Art Gallery, Nottingham, Feb.-March, 1983 and the Victoria and Albert Museum, March-May 1983.
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8 ANTIKE UND ABENDLAND. Beiträge zum Verständnis der Griechen und Römer und ihres Nachlebens. Vols. 1 - 48. Sm. 4to. Wraps.
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9 ANTIKENZEICHNUNG UND ANTIKENSTUDIUM IN RENAISSANCE UND FRÜHBAROCK. Akten des Internationalen Symposions, 8.-10. September 1986 in Coburg. Herausgegeben von Richard Harprath und Henning Wrede. xii, 263pp. 346 illus. Sm. folio. Cloth.
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10 ANTIKEREZEPTION, ANTIKEVERHÄLTNIS, ANTIKEBEGEGNUNG IN VERGANGENHEIT & GEGENWART. Eine Aufsatzsammlung. [Herausgegeben von Jürgen Dummer und Max Kunze.] (Schriften der Winckelmann-Gesellschaft. 6.) 3 vols. I: Von der Antike zum Humanismus. II: Von Winckelmann zum Klassizismus. III: Von 1848 zur Gegenwart. (6), 829, (3)pp. 64 illus. hors texte. 4to. Wraps. Texts by 48 contributors.
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11 ANTIQUITY AND ANTIQUITY TRANSUMED. [An interdisciplinary conference exploring the transference of culture in the visual arts of the Renaissance, University of Toronto, The Graduate Department of History of Art and The Centre for Reformation and Renaissance Studies]. Abstracts, March 1994. (5), 47, (1)ff. Lrg. 4to. Wraps. Mimeographed.
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12 BALTIMORE. THE BALTIMORE MUSEUM OF ART & BALTIMORE. THE WALTERS ART GALLERY. The Greek Tradition in Painting and the Minor Arts. May-June 1939. Texts by G. Boas, D.K. Hill and M.C. Ross, D. Miner, E.S. King. 89pp. Prof illus. 4to. Boards.
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14 BERGSTRÖM, INGVAR. Revival of Antique Illusionistic Wall-Painting in Renaissance Art. (Acta Universitatis Gothoburgensis. Göteborgs Universitets Årsskrift. 63.) 58, (2)pp. 28 illus. 4to. Wraps.
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15 BERLIN. STAATLICHE MUSEEN DER STIFTUNG PREUSSISCHER KULTURBESITZ. KUPFERSTICHKABINETT. Zeichner sehen die Antike. Europäische Handzeichnungen 1450-1800. Feb.-March 1967. Introduction by Matthias Winner. 134, (2)pp., 48 plates. Sm. 4to. Wraps.
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16 BERLIN. STAATSBIBLIOTHEK PREUSSISCHER KULTURBESITZ. Zwischen Phantasie und Wirklichkeit. Römische Ruinen in Zeichnungen des 16. bis 19. Jahrhunderts aus Beständen der Stiftung Preussischer Kulturbesitz. July-Aug. 1988. 195, (3)pp. 109 illus. Sq. 4to. Wraps.
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17 BERNARDO, ALDO S. Petrarch, Scipio and the "Africa." The birth of humanism’s dream. x, (2), 220pp. Sm. 4to. Cloth. D.j.
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18 BERNINI, DANTE, ET AL. Il Salone Riario nell’Episcopio di Ostia antica. Con un notiziario. [A cura di] Dante Bernini, Gabriele Borghini, Rossano Pizzinelli, Michele Cordaro, Rosalia Varoli Piazza. (Quaderni di Palazzo Venezia. 1.) 78pp. Prof. illus. 4to. Wraps.
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19 BEROALDO, FILIPPO. Annotationes centum. Edited with introduction and commentary by Lucia A. Ciapponi. (Medieval & Renaissance Texts & Studies. 131.) (4), 178, (4)pp. 4to. Cloth.
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20 BEZOLD, FRIEDRICH VON. Das Fortleben der antiken Götter im mittelalterlichen Humanismus. (2), 113pp. 4to. Wraps. Reprint of the Bonn 1922 edition.
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22 BOBER, PHYLLIS PRAY. Renaissance Artists and Antique Sculpture. A handbook of sources. 522pp. 526 illus. Lrg. 4to. Cloth.
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23 BODNAR, EDWARD W. Cyriacus of Ancona and Athens. (Collection Latomus. 43.) 255pp. Figs. 4to. Wraps.
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25 BOLGAR, R.R. The Classical Heritage and Its Beneficiaries. vii, (1), 591pp. 4to. Cloth.
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26 BORINSKI, KARL. Die Antike in Poetik und Kunsttheorie von Ausgang des Klassischen Altertums bis auf Goethe und Wilhelm von Humboldt. I: Mittelalter, Renaissance, Barock. (Das Erbe der Alten. 9.) xii, 324pp. 4to. Boards (spine chipped).
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27 BROWN, CLIFFORD MALCOLM. Our Accustomed Discourse on the Antique. Cesare Gonzaga and Gerolamo Garimberto. Two Renaissance collectors of Greco-Roman art. (Garland Studies in the Renaissance. 1./ Garland Reference Library of the Humanities. 1438.) (18), 310pp. 97 illus. Lrg. 4to. Cloth.
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28 BRUMMER, HANS HENRIK. The Muse Gallery of Gustavus III. (Kungl. Vitterhets Historie och Antikvitets Akademien. Antikvariskt Arkiv. 43.) 64pp. 25 plates. 4to. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober.
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29 BRUMMER, HANS HENRIK. The Statue Court in the Vatican Belvedere. (Stockholm Studies in History of Art. 20.) 288, (4)pp. 222 illus. 4to. Wraps. (spine torn). Presentation copy, inscribed by the author to Phyllis Pray Bober.
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30 BUDDENSIEG, TILMANN. Die Ziege Amalthea von Riccio und Falconetto. (Sonderdruck aus "Jahrbuch der Berliner Museen," 5. Band, 1963.) (30)pp. 26 illus. Sm. folio. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober.
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32 CAGIANO DE AZEVEDO, M. Le antichità di Villa Medici. Precede la ristampa di R. Bloch: L’Ara Pietatis Augustae; G.Ch. Picard: Bas-relief inédit de la Villa Medici. 128pp., 54 plates with 120 illus. Lrg. 4to. Wraps. (worn).
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33 CALVESI, MAURIZIO. Le arti a Roma sotto Alessandro VI. Dispensa del corso di storia dell’arte moderna I. 62, (2)pp. Lrg. 4to. Wraps.
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35 CALVESI, MAURIZIO. Il sogno di Polifilo prenestino. Seconda edizione riveduta e corretta. (Ars Fingendi. 1.) 322pp. 144 illus. hors texte. 46 text illus. 4to. Wraps.
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36 CALVESI, MAURIZIO. & CAVALLARO, ANNA. Le arti a Roma da Sisto IV a Giulio II. Corso di storia dell’arte moderna I. 154, (4)pp. 73 illus. hors texte. 4to. Wraps.
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37 CANDIDA, BIANCA. I calchi rinascimentali della Collezione Mantova Benavides nel Museo del Liviano a Padova. (Pubblicazioni dell’Istituto di Archeologia dell’Università di Padova. 2.) 97, (3)pp. 42 illus. hors texte. 4to. Wraps. D.j.
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38 CARUNCHIO, TANCREDI. Origini della villa rinascimentale. La ricerca di una tipologia. Con una nota di P. Marconi. (Studi di Storia dell’Arte. 4.) 124pp. 64 illus. Wraps.
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39 CASTELLI, PATRIZIA. I geroglifici e il mito dell’Egitto nel Rinascimento. (Contributi per la Storia delle Arti e della Cultura, Istituto di Storia dell’Arte dell’Università di Firenze.) 59, (5)pp. 18 illus. hors texte. 4to. Wraps.
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40 CHASTEL, ANDRÉ. The Sack of Rome, 1527. (The A.W. Mellon Lectures in the Fine Arts. Bollingen Series XXXV. 26.) xvii, (1), 321, (3)pp. 131 illus. 4to. Cloth. D.j.
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41 CHESNEY, ELIZABETH A. The Countervoyage of Rabelais and Ariosto. A comparative reading of two Renaissance mock epics. vi, (2), 232pp. 4to. Cloth.
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42 CHICAGO. UNIVERSITY OF CHICAGO. DAVID AND ALFRED SMART GALLERY. The Place of the Antique in Early Modern Europe. [By] Ingrid D. Rowland with contributions by Craig Hanson, Noriko Matsubara, Mario Pereira, and Allie Terry. Nov. 1999-Feb. 2000. viii, 109pp., 9 color plates. Prof. illus. 4to. Wraps.
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43 CIERI VIA, CLAUDIA. Le favole antiche. Produzione e committenza a Roma nel Cinquecento. 224pp. 270 illus. 4to. Wraps.
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44 CIPRIANI, GINO. Horti Sallustiani. 2a edizione. 172, (32)pp. Prof. illus. Lrg. 4to. Cloth. D.j. Slipcase. 39pp. English-language translation, loosely inserted, as issued.
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45 CLASSICAL INFLUENCES ON EUROPEAN CULTURE A.D. 500-1500. Proceedings of an international conference held at King’s College, Cambridge, April 1969. Edited by R.R. Bolgar. xvi, 319, (1)pp., 12 plates. Text figs. 4to. Cloth. D.j. Texts by 28 contributors, including R.D. Sweeney, L. Bieler, B. Bischoff, J.B. Trapp, E.H. Gombrich, T. Buddensieg, H. Burns.
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46 CLASSICAL INFLUENCES ON EUROPEAN CULTURE A.D. 1500-1700. Proceedings of an international conference held at King’s College, Cambridge, April 1974. Edited by R.R. Bolgar. xviii, 383pp., 16 plates. 4to. Cloth. Texts by 27 contributors.
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47 THE CLASSICAL TRADITION. (The British Museum Yearbook. 1.) 298pp., 4 color plates. 291 illus. Lrg. 4to. Cloth. D.j. Texts by Reynold Higgins, M. Jessop Price, J.E. Curtis, R.A.G. Carson, R.H. Pinder-Wilson, Ruth Olitsky Rubinstein, Nicholas Turner, Andrew Wilton, and others.
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48 COBURG. KUNSTSAMMLUNGEN DER VESTE COBURG. Der Codex Coburgensis. Das erste systematische Archäologiebuch. Römische Antiken-Nachzeichnungen aus der Mitte des 16. Jahrhunderts. [By] Henning Wrede and Richard Harprath. Sept.-Nov. 1986. (Kataloge der Kunstsammlungen der Veste Cobburg.) 132pp. 72 illus. Oblong 4to. Wraps.
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50 COLONNA, FRANCESCO. Hypnerotomachia Poliphili, Venice 1499. (The Renaissance and the Gods. 1.) (460)pp. Prof. illus. 4to. Cloth. Reprint of the Venice 1499 edition.
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51 COMES, NATALIS. Mythologiae, Venice 1567. (The Renaissance and the Gods. 11.) 340ff. Sm. stout 4to. Cloth. Reprint of the Venice 1567 edition.
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52 CONVEGNO INTERNAZIONALE DI STUDI SUL RINASCIMENTO (5TH : 1956 : FIRENZE). Il mondo antico nel Rinascimento. Atti del V Convegno Internazionale di Studi sul Rinascimento. Firenze, Palazzo Strozzi, 2-6 settembre 1956. (Istituto Nazionale di Studi sul Rinascimento.) 286pp., 23 plates. 4to. Wraps. (slightly worn). Texts by 25 contributors, including U. Middeldorf, G. Mansuelli, E. Battisti, P. Barocchi, R.W. Kennedy, E. Tietze Conrat, L.H. Heydenreich, J. Alazard.
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54 COOK, B.F. The Townley Marbles. 64pp. 58 illus. 4to. Wraps.
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55 CRISTOFANI, MAURO (EDITOR). Siena: le origini. Testimonianze e miti archeologici. Catalogo della mostra. Siena, dicembre 1979-marzo 1980. 229, (1)pp., 1 folding map. Prof. illus. 4to. Wraps.
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56 CRUCIANI, FABRIZIO. Il teatro del Campidoglio e le feste romane del 1513. Con la ricostruzione architettonica del teatro di Arnaldo Bruschi. (Archivio del Teatro Italiano. 2.) xcvi, 167pp. 6 plates. 4to. Wraps.
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57 CUNNALLY, JOHN. Images of the Illustrious: The Numismatic Presence in the Renaissance. xi, (3), 230pp. 68 illus. 4to. Cloth. D.j.
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58 DACOS, NICOLE. La découverte de la Domus Aurea et la formation des grotesques à la Renaissance. (Studies of the Warburg Institute. 31.) xx, 203, (3)pp., 114 plates with 183 illus. Lrg. 4to. Cloth. Very scarce.
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59 DACOS, NICOLE. Graffiti de la Domus Aurea. (Extrait du Bulletin de l’Institut Historique Belge de Rome, fasc. 38.) (30)pp., 36 plates. 4to. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober.
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60 DACOS, NICOLE. Roma quanta fuit. Tre pittori fiamminghi nella Domus Aurea. (Saggi. Arti e Lettere.) 146pp. 113 illus. hors texte. Sm. 4to. Boards. D.j.
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61 DACOS, NICOLE, ET AL. Il tesoro di Lorenzo Il Magnifico. Repertorio delle gemme e dei vasi. 2 vols. in 1. 301, (1)pp. 231 illus. (23 color). 4to. Cloth. D.j. Republication of the Firenze 1972 exhibition with texts by Nicole Dacos, Antonio Giuliano, Ulrico Pannuti, Detlef Heikamp, Andreas Grote.
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62 DALLAS. SOUTHERN METHODIST UNIVERSITY. MEADOWS MUSEUM. Classical Myth in Western Art: Ancient Through Modern. Essay and catalogue by Karl Kilinski II. Nov.-Dec. 1985. 110pp. 36 plates, text and reference illus. Sq. 4to. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober.
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63 DANESI SQUARZINA, SILVIA. Ricerche sul ‘400 a Roma: Pittura e architettura. Corso di lezioni.... 2 vols. 266pp.; 115, (3)pp. Prof. illus. Lrg. 4to. Wraps.
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64 DI MACCO, MICHELA. Il Colosseo. Funzione simbolica, storica, urbana. (Biblioteca di Storia dell’Arte. 5.) 452pp. 214 illus. Sm. 4to. Cloth. D.j.
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65 EPP, SIGRID. Die Santacroce und ihr Wohnsitz in Oriolo Romano. Selbstdarstellung einer römischen Familie im Cinquecento. (Tuduv-Studien: Reihe Kunstgeschichte. 73.) 259, (5)pp. 75 illus. hors texte. Sm. 4to. Wraps.
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66 FAGIOLO, MARCELLO (EDITOR). Roma e l’antico nell’arte e nella cultura del Cinquecento. (Biblioteca Internazionale di Cultura. 17.) 531pp. Prof. illus. 4to. Leatherette. D.j. Texts by 23 contributors.
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67 FAIRBANKS, ARTHUR. Greek Art: The Basis of Later European Art. x, 136, (6)pp., 16 plates. 5 figs. Cloth.
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68 FANTOZZI, AGNESE (EDITOR). Nota d’anticaglie et spoglie et cose maravigliose et grande sono nella cipta di Roma da vederle volentieri. (B.I.A.S.A. Ms.51 A). (Monografie Romane. 10.) 91, (5)pp. Sm. 4to. Wraps.
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69 FAVARETTO, IRENE. Arte antica e cultura antiquaria nelle collezioni venete al tempo della Serenissima. (Studia Archaeologica. 55.) 399pp. 97 illus. 4to. Cloth. D.j.
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70 FIRENZE. ISTITUTO FRANCESE DI FIRENZE. Caesar triumphans. Rotoli disegnati e xilografie cinquecentesche da una collezione privata parigiana. Texts by Daniel Arasse, Raymond Chevallier, Catherine Monbeig Goguel, Louis Marin. 63pp. Prof. illus. Lrg. 4to. Wraps.
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71 FLORENCE AND VENICE: COMPARISONS AND RELATIONS. Acts of two conferences at Villa I Tatti in 1976-1977, organized by Sergio Bertelli, Nicolai Rubinstein and Craig Hugh Smyth. (Villa I Tatti. The Harvard University Center for Italian Renaissance Studies. 5.) Vol. I: Quattrocento. vi, 252pp. 43 illus. hors texte. 4to. Cloth. Texts by 14 contributors. Presentation copy, inscribed by Craig Hugh Smyth to Phyllis Pray Bober.
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72 FOCILLON, HENRI. Moyen Age: Survivances et reveils. Études d’art et d’histoire. 201, (4)pp., 7 plates. 15 illus. 4to. Wraps.
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73 FRANCHINI, DARIO A., ET AL. La scienza a corte. Collezionismo eclecttico, natura e immagine a Mantova fra Rinascimento e Manierismo. [A cura di] Dario A. Franchini, Renzo Margonari, Giuseppe Olmi, Rodolfo Signorini, Attilio Zanca e Chiara Tellini Perina. 280, (2)pp. Prof. illus. Sq. 4to. Wraps.
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74 FRANKFURT. LIEBIEGHAUS, MUSEUM ALTER PLASTIK. Natur und Antike in der Renaissance. Dec. 1985-March 1986. Texts by H. Beck and P.C. Bol, D. Blume, U. Geese, N. Gramaccini, H. Bredekamp, H. Frosien-Leinz. 600pp. Prof. illus. 4to. Wraps.
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75 FREEDMAN, LUBA. The Classical Pastoral in the Visual Arts. (Hermeneutics of Art. 1.) xiv, (4), 233, (7)pp. 70 illus. hors texte. 4to. Boards. With a letter and a card, addressed to Phyllis Pray Bober, loosely inserted.
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76 FREY-SALLMANN, ALMA. Aus dem Nachleben antiker Göttergestalten. Die antiken Gottheiten in der Bildbeschreibung des Mittelalters und der italienischen Frührenaissance. (Das Erbe der Alten. Schriften über Wesen und Wirkung der Antike. 2. Reihe, Heft 19.) xvi, 184pp., 12 plates. 4to. Wraps. (loose and chipped).
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77 FULVIO, ANDREA. L’antichità di Roma di Andrea Fulvio antiquiario romano, di nuouo con ogni diligenza corretta & ampliata, con gli adornamenti di disegni de gli edificij antichi & moderni; con le aggiuntioni & annotationi di Girolamo Ferrucci Romano.... (3), 264, (4)ff. Prof. illus. Stout 8vo. Cloth. Xerox facsimile of the Venezia 1588 edition.
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79 GIRALDI, LILIO GREGORIO. De deis gentium, Basel 1548. (The Renaissance and the Gods.) (12), 764, (68)pp. Stout 4to. Cloth. Reprint of the Basel 1548 edition.
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80 WEGNER, MAX. GOETHE’s Anschauung antiker Kunst. 165, (3)pp. 64 illus. hors texte. 4to. Boards (spine broken).
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81 GOLDTHWAITE, RICHARD A. The Building of Renaissance Florence. An economic and social history. xviii, 459, (3)pp. Prof. illus. 4to. Cloth.
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82 GORDAN, PHYLLIS WALTER GOODHART (EDITOR). Two Renaissance Book Hunters. The letters of Poggius Bracciolini to Nicolaus de Niccolis. Translated from the Latin and annotated.... (Records of Civilization: Sources and Studies. 91.) x, (2), 393pp. 4to. Cloth. D.j.
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83 GREENHALGH, MICHAEL. The Classical Tradition in Art. 271pp. Prof. illus. 4to. Wraps.
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84 GREGORIUS, MAGISTER. The Marvels of Rome. Translated with an introduction and commentary by John Osborne. (Mediaeval Sources in Translation. 31.) viii, 114pp. Lrg. 8vo. Wraps.
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85 GREGORIUS, MAGISTER. Narracio de mirabilibus urbis Romae. Éditée par R.B.C. Huygens. (Textus Minores. 42.) 44, (2)pp. Wraps.
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86 GUERRINI, LUCIA, ET AL. Sculture di Palazzo Mattei. [A cura di] Lucia Guerrini, Filippo Carinci, Thea Botticelli, Lucia De Vita, Antonio Licordari. (Seminario di Archeologia e Storia dell’Arte Greca e Romana dell’Università di Roma. Studi Miscellanei. 20.) (4), 74, (4)pp., 72 plates. 2 text figs. 4to. Wraps.
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87 HAIGHT, ELIZABETH HAZELTON. Aspects of Symbolism in the Latin Anthology and in Classical and Renaissance Art. xiii, (3) 69pp. Lrg. 8vo. Cloth. D.j.
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88 HAMDORF, FRIEDRICH WILHELM. Dionysos - Bacchus: Kult und Wandlungen des Weingottes. 174, (2)pp. 12 illus. Sm. sq. 4to. Cloth. D.j.
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89 HASKELL, FRANCIS & PENNY, NICHOLAS. Taste and the Antique. The lure of classical sculpture, 1500-1900. xvi, 376pp. 180 illus. 4to. Cloth.
New Haven/London (Yale University Press), 1981.
90 HECKSCHER, WILLIAM S. Sixtus IIII Aeneas Insignes Statuas Romano Populo Restituendas Censuit. 47pp., 2 plates. Sm. 4to. Wraps. English-language summary.
The Hague (Martinus Nijhoff), [1955].
91 HELBIG, WOLFGANG. Führer durch die öffentlichen Sammlungen klassischer Altertümer in Rom. Vierte, völlig neu bearbeitete Auflage, herausgegeben von Hermine Speier. (Deutsches Archäologisches Institut.) 4 vols. Lrg. stout 8vo. Cloth. D.j.
Tübingen (Ernst Wasmuth), 1963-1972.
Arntzen/Rainwater I81a
92 HOMANN, HOLGER. Studien zur Emblematik des 16. Jahrhunderts. Sebastian Brant, Andrea Alciati, Johannes Sambucus, Mathias Holtzwart, Nicolaus Taurellus. (Bibliotheca Emblematica. 4.) 141, (3)pp. 42 illus. hors texte. 4 text illus. 4to. Cloth.
Utrecht (Haentjens Dekker & Gumbert), 1971.
93 HUELSEN, CHRISTIAN. Le illustrazioni della "Hypnerotomachia Polifili" e le antichità di Roma. (Estratto dal volume XII, anno XII, dispensa 5-6 della Bibliofilia.) 18pp. 13 illus. 4to. Boards.
Firenze (Leo S. Olschki), 1910.
94 HÜBNER, PAUL GUSTAV. Le statue di Roma. Grundlagen für eine Geschichte der antiken Monumente in der Renaissance. Band I [all published]: Quellen und Sammlungen. (Römische Forschungen herausgegeben von der Bibliotheca Hertziana. 2.) (4), 125, (3)pp., 14 plates (12 collotype). Sm. folio. New cloth; orig. wrasp. bound in. Edition limited to 300 numbered copies.
Leipzig (Klinkhardt & Biermann), 1912.
Arntzen/Rainwater R56; Chamberlin 2471; Borroni 8748
95 JACKS, PHILIP. The Antiquarian and the Myth of Antiquity in the Renaissance. The origins of Rome in Renaissance thought. xix, (1), 376pp. 103 illus. 4to. Cloth. D.j.
Cambridge (Cambridge University Press), 1993.
96 JAESCHKE, EMIL. Die Antike in der Bildenden Kunst der Renaissance. I [all published]: Die Antike in der Florentiner Malerei des Quattrocento. (Zur Kunstgeschichte des Auslandes. 3.) 62pp. Lrg. 4to. Boards.
Strassburg (J.H. Ed. Heitz), 1900.
Chamberlin 2489
97 JAHN, JOHANNES. Antike Tradition in der Landschaftsdarstellung bis zum 15. Jahrhundert. (Sitzungsberichte der Sächsischen Akademie der Wissenschaften, Leipzig. Philologisch-historische Klasse. Vol. 117#1.) 26, (2)pp. 23 illus. hors texte. Lrg. 8vo. Wraps.
Berlin (Akademie-Verlag), 1975.
98 JENKINS, IAN, ET AL. Cassiano dal Pozzo’s Paper Museum. Volume I. [By] Ian Jenkins, Donald Bailey, Ingo Herklotz, Ruth Rubinstein, Ginette Vagenheim, Helen Whitehouse, Henning Wrede, David H. Wright. (Quaderni Puteani. 2.) viii, 160pp. Prof. illus. 4to. Wraps. "This volume is the first of two in which are published the proceedings of a conference convened jointly by the British Museum and the Warburg Institute on 14 and 15 December 1989."
[Milano] (Olivetti), 1992.
99 JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES. Vols. 1 - 63 + General Index 1-37. Vols. 1-45 in orig. wraps., loose under publisher’s cloth covers; balance in orig. wraps. A beautiful copy, completely in original edition. The Phyllis Pray Bober copy.
London, 1937-2000.
Arntzen/Rainwater Q226; Chamberlin 2358
100 KENT, F.W., ET AL. (EDITORS). Patronage, Art, and Society in Renaissance Italy. Edited by F.W. Kent and Patricia Simons with J.C. Eade. x, (2), 331pp. 25 illus. hors texte. 4to. Cloth. D.j. Texts by 16 contributors.
Canberra/Oxford (Humanities Research Centre/ Clarendon Press), 1987.
101 KERRIGAN, WILLIAM & BRADEN, GORDON. The Idea of the Renaissance. xiii, (1), 261pp. 4to. Cloth. D.j.
Baltimore/London (The Johns Hopkins University Press), 1989.
102 KRAUTHEIMER, RICHARD. Rome. Profile of a city, 312-1308. xvi, (2), 389pp. 260 illus. Lrg. 4to. Wraps.
Princeton (Princeton University Press), 1980.
103 KRETZULESCO-QUARANTA, EMANUELA. Les jardins du songe. "Poliphile" et la mystique de la Renaissance. Préface de Pierre Lyautey. 2e édition revue et corrigée. 482pp. Prof. illus. 4to. Wraps.
Paris (Société d’Édition "Les Belles Lettres"), 1986.
104 LADENDORF, HEINZ. Antikenstudium und Antikenkopie. Vorarbeiten zu einer Darstellung ihrer Bedeutung in der mittelalterlichen und neueren Zeit. (Abhandlung der Sächsischen Akademie der Wissenschaften, Leipzig. Philologisch-historische Klasse. Vol. 46#2.) 190, (2)pp., 50 plates with 183 illus. Lrg. 4to. Wraps. (worn and detached).
Berlin (Akademie-Verlag), 1953.
Arntzen/Rainwater F22; Chamberlin 336
105 LANCIANI, RODOLFO. Storia degli scavi di Roma e notizie intorno le collezioni romane di antichità. 2 vols. iv, 265pp.; 227pp. Folio. Cloth. Reprint of the Roma 1909-1912 edition.
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106 LEHMANN, PHYLLIS WILLIAMS & LEHMANN, KARL. Samothracian Reflections. (Bollingen Series. XCII.) xxiii, 278pp. 64 illus. 4to. Cloth. D.j.
Princeton (Princeton University Press), 1973.
107 LETAROUILLY, PAUL. Édifices de Rome moderne, ou recueil des palais, maisons, églises, couvents et autres monuments publics et particuliers les plus remarquables de la ville de Rome, dessinés, mesurés et publiés par Paul Le Tarouilly, architecte. (12)pp., 354 plates., 1 folding map loosely inserted as issued. Lrg. 4to. Cloth. D.j. Second revised facsimile reprint of the Paris, Bance Éditeur edition, 1860.
New York (Princeton Architectural Press), 1982.
108 LEVY, BERNARD S. (EDITOR). Developments in the Early Renaissance. Papers of the second annual conference of the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 4-5 May 1968. Edited by Bernard S. Levy. 223, (1)pp. Text illus. Sm. 4to. Cloth. D.j.
Albany (State University of New York Press), 1972.
109 LONDON. CHAUCER FINE ARTS, INC. Rome: A Vision of Antiquity. Pictures and drawings, classical sculpture. June-July 1980. (18)pp., 4 plates. 4to. Wraps.
London, 1980.
110 LONDON. CHRISTIE, MANSON & WOODS, LTD. Catalogue of a Selected Portion of the Collection of Ancient Marbles Formed by Thomas 8th Earl of Pembroke (1654-1732). Sale [on the premises: at Wilton House], July 3, 1961. 34, (2)pp., 8 plates. 4to. Wraps.
London, 1961.
111 LONDON. THE ITALIAN INSTITUTE & MANTOVA. PALAZZO TE. Mantova gonzaghesca nelle stampe e nelle monete. / Mantua of the Gonzaga in Prints and Coins. Catalogo della mostra. Saggi e schede di Emanuela Ercolani Cocchi, Irma Pagliari, Ugo Bazzotti. Con un contributo di Ilaria Toesca. 149, (3)pp. Prof. illus. Sm. oblong 4to. Wraps. Parallel texts in Italian and English.
Mantova, [1981].
112 LONDON. PHILLIPS. Old Master Drawings. [To include an important group of drawings from The Pozzo/Albani Collection]. Sale, Dec. 12, 1990. 157, (11)pp. Prof. illus. 4to. Wraps.
London, 1990.
113 MADRID. MUSEO DEL PRADO. Catálogo de la escultura. I. Esculturas clásicas. II. Esculturas, copias e imitaciones de las antiguas (siglos XVI-XVIII). Por A. Blanco. 174, (4)pp., 84 plates. 4to. Cloth.
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114 MAGISTER, SARA. Arte e politica: La collezione di antichità del Cardinale Giuliano della Rovere nei Palazzi ai Santi Apostoli. (Atti della Accademia Nazionale dei Lincei. Anno CCCIC-2002. Classe di Scienze Morali, Storiche e Filologiche. Memorie. Serie IX, Vol. XIV, Fasc. 4.) (344)pp. 61 plates. 4to. Wraps.
Roma (Accademia Nazionale dei Lincei), 2002.
115 MAHON, DENIS. Studies in Seicento Art and Theory. (Studies of the Warburg Institute. Vol. 16.) ix, (1), 351, (3)pp., 48 plates. 4to. Cloth. From the library of Harry Bober.
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116 MALIZIA, GIULIANO. Le statue di Roma. Da Pasquino ai busti del Pincio, da Marc’Aurelio alle sculture dell’Eur, tutte le statue che in piedi o sedute, sdraiate o a cavallo, fanno belle le piazze, i palazzi, i giardini. Introduzione di Giulio Andreotti. (Quest’Italia. Collana di Storia, Arte e Folclore. 158.) 319pp. Prof. illus. Sm. 4to. Cloth. D.j.
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117 MANUEL, FRANK E. The Changing of the Gods. xiii, (1), 202pp. Lrg. 8vo. Cloth. D.j.
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118 [MANUZIO, ALDO]. Aldus Manutius and His Thesaurus cornucopiae of 1496.... Translated by Antje Lemke; introduction by Donald P. Bean. 14, (16)pp. 12mo. Cloth.
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119 MAURO, LUCIO. Le antichità della città di Roma. Breuissimamente raccolte da chiunque ha scritto, à antico, ò antico, ò moderno; per Lucio Mauro, che ha voluto particolarmente tutti questi luoghi vedere: onde ha corretti di molti errori, che ne gli altri scrittori di queste antichità si leggono. Et insieme anco Di tutte le statue antiche, che per tutta Roma in diuersi luoghi, e case particolari si ueggono, raccolte e descritte, per M. Ulisse Aldroandi; opera non fatta piu mai da scrittor alcuno. (20), 315, (1)pp. Lrg. 8vo. Buckram. Xerox facsimile of the Venice 1557 edition.
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120 MERIVALE, PATRICIA. Pan the Goat-God: His Myth in Modern Times. (Harvard Studies in Comparative Literature. 30.) ix, (7), 286pp. 17 illus. hors texte. 4to. Cloth. D.j.
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121 MICHAELIS, ADOLF. Ancient Marbles in Great Britain. xxvio, (2), 834pp., 10 plates. 5 figs. in text. Stout 4to. Publisher’s cloth, 1/4 leather (a bit rubbed and frayed; covers partly detached). T.e.g. Systematic studies of classical antiquities in the British isles, including museums, universities and colleges, country houses, and private collections, with a long historical introduction on their importation into Great Britain and the formation of British collections.
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122 MICHAELIS, ADOLF. Storia della collezione Capitolina di antichità fino all’inaugurazione del Museo nel 1734. (Estratto dal "Bollettino dell’Imp. Istituto Archeologico Germanico", Vol. VI, fasc. 1.) 66pp., 3 plates. Text illus. 4to. Wraps. (disbound).
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123 MILANO. UNIVERSITÀ CATTOLICA DEL S. CUORE. "La dimora di Dio con gli uomini" (Ap21,3). Immagini della Gerusalemme celeste dal III al XIV secolo. A cura di M.L. Gatti Perer. Prefazione di Carlo Maria Martini. Scritti di: L.F. Pizzolato, M.L. Gatti Perer, G. Ravasi, C. Mazzucco, M. Rossi, A. Rovetta, A. Temporelli, A. Colli, K. Escalar, G. Scotti. May-June 1983. 299pp. Prof. illus. 4to. Boards.
Milano (Vita e Pensiero, Pubblicazioni della Università Cattolica), 1983.
124 MILLER, NAOMI. Heavenly Caves. Reflections on the garden grotto. 141pp. 122 illus. 4to. Wraps.
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125 MILLON, HENRY A. (EDITOR). Studies in Italian Art and Architecture, 15th Through 18th Centuries. (Memoirs of the American Academy in Rome. 35./ Studies in Italian Art History. 1.) 337pp. Prof. illus. Lrg. 4to. Cloth. D.j. Texts by 10 contributors, including J.S. Ackerman, L. Steinberg, M. Conforti, H.A. Millon, J.A. Pinto, A. Clark.
Cambridge/London (MIT Press), 1980.
Arntzen/Rainwater Q13
126 MOROLLI, GABRIELE. "Vetus Etruria." Il mito degli Etruschi nella letteratura architettonmica, nell’arte e nella cultura da Vitruvio a Winckelmann. Prefazione di Franco Borsi. Appendice a cura di Mimmarosa Barresi. (Saggi e Documenti. 50. Sezione: Letteratura Architettonica [Trattati, Storie, Scritti sull’Arte Edificatoria].) 447pp., 141 plates. 4to. Wraps.
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127 NAUERT, CHARLES G., JR. Agrippa and the Crisis of Renaissance Thought. (Illinois Studies in the Social Sciences. 55.) vi, (2), 374pp. 4to. Wraps.
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128 NESSELRATH, ARNOLD. Das Fossombroner Skizzenbuch. (Studies of the Warburg Institute. 41.) xlii, 248, (2)pp. 253 illus. hors texte. Lrg. 4to. Cloth.
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129 NOLHAC, PIERRE DE. Les collections d’antiquités de Fulvio Orsini. (Extrait des Mélanges d’Archéologie et d’Histoire publiés par l’École Française de Rome.) 95pp. 4to. Wraps.
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130 NORTHAMPTON. SMITH COLLEGE. MUSEUM OF ART. Antiquity in the Renaissance. April-June 1978. By Wendy Stedman Sherd. (224)pp. Prof. illus. 4to. Wraps. Dedicated to Phyllis Williams Lehmann.
Northampton, 1978.
131 O’MALLEY, JOHN W. Rome and the Renaissance: Studies in Culture and Religion. (Collected Studies Series.) (320)pp. Frontis. 4to. Buckram.
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132 OSBORNE, JOHN & CLARIDGE, AMANDA. Early Christian and Medieval Antiquities. Vol. One: Mosaics and Wallpaintings in Roman Churches. Vol. Two: Other Mosaics, Paintings, Sarcophagi and Small Objects. With contributions by Cecilia Bartoli and Eileen Kingham. (Paper Museum of Cassiano dal Pozzo. Series A: Antiquities and Architecture. Part Two.) 2 vols. 383, (1)pp. 264 illus. (152 color). 4to. Cloth. D.j.
London (Harvey Miller Publishers), 1996.
133 OSTIA. FORTEZZA ED EPISCOPIO. Il borgo di Ostia da Sisto IV a Giulio II. Catalogo a cura di Silvia Danesi Squarzina e Gabriele Borghini. June-Sept. 1980. (Il Quattrocento a Roma e nel Lazio. 3.) 103pp. 91 illus. 4to. Wraps.
Roma (De Luca), 1981.
134 OXFORD. ASHMOLEAN MUSEUM. The Most Beautiful Statues. The taste for antique sculpture, 1500-1900. March-May 1981. Compiled by Francis Haskell and Nicholas Penny. 82pp. 4 illus. 4to. Wraps. Presentation copy, inscribed by Francis Haskell to Phyllis Pray Bober.
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135 PARIS. INSTITUT FRANÇAIS D’ARCHITECTURE. La Laurentine et l’invention de la villa romaine. 254pp. Prof. illus. Sq. 4to. Wraps.
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136 PATTERSON, ANNABEL M. (EDITOR). Roman Images. (Selected Papers from the English Institute. N.S. 8.) ix, (3), 195pp. Illus. Lrg. 8vo. Cloth. Texts by 8 contributors.
Baltimore/London (The Johns Hopkins University Press), 1984.
137 PAYNE, ALINA, ET AL. (EDITORS). Antiquity and Its Interpreters. Edited by Alina Payne, Ann Kuttner, Rebekah Smick. xiv, (2), 324pp. 77 illus. Lrg. 4to. Cloth. D.j. Texts by 22 contributors.
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138 PEGASUS. Berliner Beiträge zum Nachleben der Antike. (Census of Antique Works of Art and Architecture Known in the Renaissance, Humboldt-Universität, Berlin.) Vols. 1 - 3. 4to. Wraps.
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139 PELLEGRINI, GIORGIO. Il braccio della morte: Migrazioni iconografiche. 92pp. 90 illus. 4to. Cloth. D.j. With a typed letter from the author to Phyllis Pray Bober loosely inserted.
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140 PEROSA, ALESSANDRO & SPARROW, JOHN (EDITROS). Renaissance Latin Verse: An Anthology. xxix, (1), 560pp. 4to. Cloth. D.j.
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141 PIETRANGELI, CARLO. Le collezioni private romane attraverso i tempi. Conversazione.... (Quaderni del Circolo della Caccia. 2.) 27pp. 4 plates. 4to. Wraps.
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142 POGÁNY-BALÁS, EDIT. The Influence of Rome’s Antique Monumental Sculptures on the Great Masters of the Renaissance. 115, (3)pp. 263 illus. hors texte. 4to. Cloth. D.j.
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143 POPPELREUTER, JOS. Der anonyme Meister des Poliphilo. Eine Studie zur italienischen Buchillustration und zur Antike in der Kunst des Quattrocento. (Zur Kunstgeschichte des Auslandes. 20.) (6), 61, (3)pp. 25 illus. 4to. Wraps. (worn).
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144 POSTEL, GUILLAUME. De Etruriae regionis: Originibus, institutis, religione et moribus. Testo, introduzione, note e commento a cura di Giovanni Cipriani. (Consiglio Nazionale delle Ricerche, Centro di Studio per l’Archeologia Etrusco-Italica: Contributi alla Storia degli Studi Etruschi e Italici. 4.) 249pp. Lrg. 4to. Cloth. D.j.
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145 PRESSOUYRE, SYLVIA. Rome au fil du temps. Atlas historique d’urbanisme et d’architecture. (168)pp. Prof. illus. Oblong 4to. Cloth. D.j.
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146 [PROIA, ALFREDO & ROMANO, PIETRO]. Arenula (Rione Regola). (Roma nel Cinquecento.) 193, (3)pp., 8 plates. Text illus. Sm. 4to. Marbled boards, 1/4 cloth.
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147 PROVIDENCE. BROWN UNIVERSITY. LIST ART CENTER. BELL GALLERY. Survival of the Gods: Classical Mythology in Medieval Art. Feb.-March 1987. xiv, 226pp. Prof. illus. Lrg. 4to. Wraps.
Providence, 1987.
148 PYLE, CYNTHIA M. Milan and Lombardy in the Renaissance: Essays in Cultural History. Presentation by Paolo Bongrani. (Università degli Studi, Parma. Istituto di Filologia Moderna. Testi e Studi. N.S. 1.) xviii, (2), 247pp. Illus. 4to. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober.
Roma (La Fenice Edizioni), 1997.
149 RABIL, ALBERT, JR. (EDITOR). Renaissance Humanism: Foundations, Forms, and Legacy. Vol. 1: Humanism in Italy. xv, (3), 492pp. 4to. Wraps. Texts by 16 contributors.
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150 RE, CAMILLO. Il Campidoglio e le sue adiacenze nel secolo XIV. (Estratto dal Bullettino della Commissione Archeologica Comunale di Roma, anno 1882.) 49pp., 2 lithographic plates. 4to. Wraps. (chipped and worn). Presentation copy, inscribed by the author.
Roma (Coi tipi del Salviucci), 1882.
151 THE RENAISSANCE RECONSIDERED: A SYMPOSIUM. [By] Leon Gabel, Ruth L. Kennedy, Ruth W. Kennedy, Gunter Lewy, Sidney R. Packard, Max Salvadori. (Smith College Studies in History. 44.) 110, (4)pp. 12 plates with 14 illus. Sm. 4to. Wraps. Presentation copy, inscribed by Ruth W. Kennedy.
Northampton (Smith College), 1964.
152 ROBERTSON, CLARE. ‘Il Gran Cardinale.’ Alessandro Farnese, patron of the arts. viii, (2), 33pp. 13 color plates, 199 illus. 4to. Cloth. D.j.
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153 ROMA, CENTRO IDEALE DELLA CULTURA DELL’ANTICO NEI SECOLI XV E XVI: DA MARTINO V AL SACCO DI ROMA, 1417-1527. A cura di Silvia Danesi Squarzina. Convegno Internazionale di Studi su Umanesimo e Rinascimento. Roma, 25-30 novembre 1985. 488, (2)pp. Prof. illus. Lrg. sq. 4to. Cloth. D.j. Texts by 38 contributors.
Milano (Electa), 1989.
154 ROMA. ISTITUTO NAZIONALE PER LA GRAFICA. Vestigi delle antichità di Roma... et altri luoghi. Momenti dell’elaborazione di un’immagine. A cura di Anna Grelle. 180pp. Prof. illus. Sq. 4to. Wraps.
Roma, 1987.
155 ROMA. ISTITUTO NAZIONALE PER LA GRAFICA, CALCOGRAFIA. Incisori mantovani del '500. Giovan Battista, Adamo, Diana Scultori e Giorgio Ghisi dalle collezioni del Gabinetto Nazionale delle Stampe e della Calcografia Nazionale. Catalogo di Stefania Massari. Dec. 1980-Jan. 1981. 390pp. Prof. illus. Sq. 4to. Wraps.
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156 ROMA. MUSEO NAZIONALE DI CASTEL SANT’ANGELO. Gli affreschi di Paolo III a Castel Sant'Angelo. Progetto ed esecuzione 1543-1548. Nov. 1981-Jan. 1982. 2 vols. 243pp. 16 color plates, 212 illus.; 224, (2)pp. 155 illus. Lrg. 4to. Wraps.
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157 ROMA. MUSEO NAZIONALE DI CASTEL SANT’ANGELO. Quando gli dei si spogliano. Il bagno di Clemente VII a Castel Sant’Angelo e le altre stude romane del primo Cinquecento. (Cataloghi del Museo Nazionale di Castel Sant’Angelo. 2.) 135pp. 122 illus. 4to. Wraps.
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158 ROMA. MUSEO NAZIONALE ROMANO. I marmi Ludovisi nel Museo Nazionale Romano. Di Beatrice Palma e Lucilla de Lachenal. (Le Sculture. I, 5.) xi, (3), 224pp. Prof. illus. 4to. Boards.
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159 ROMA. MUSEO NAZIONALE ROMANO. I marmi Ludovisi: Storia della collezione. Di Beatrice Palma. (Le Sculture. I, 4.) xi, (1), 307, (3)pp. 256 illus. 4to. Boards.
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160 ROMA. MUSEO NAZIONALE ROMANO. I marmi Ludovisi dispersi. Di Beatrice Palma, Lucilla de Lachenal, Maria Elisa Micheli. (Le Sculture. I, 6.) (3), 311pp. Prof. illus. 4to. Boards.
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161 ROMA. PALAZZO BRASCHI. Roma sparita. Mostra di disegni e acquerelli dal sec. XVI al XX dalla donazione della Contessa Anna Laetitia Pecci Blunt al Museo di Roma. Selezione di Giovanni Incisa della Rocchetta. Catalogo di Giovanni Incisa della Rocchetta, Lucia Cavazzi Palladini, Elisa Tittoni Monti, Rosalia Varoli-Piazza. March-April 1976. 49, (3)pp., 48 plates. Oblong 4to. Wraps.
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162 ROMA. PALAZZO VENEZIA. Roma di Sisto V. Arte, architettura e città fra Rinascimento e Barocco. Jan.-July 1993. A cura di Soprintendenza per i Beni Artistici e Storici di Roma, Centro di Studi sulla Cultura e l’Immagine di Roma. 63, (1)pp. Prof. illus. (partly color). Lrg. 4to. Wraps.
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163 [RUCELLAI, GIOVANNI]. Giovanni Rucellai ed il suo Zibaldone. (Studies of the Warburg Institute. 24.) 2 vols. Vol. I: "Il Zibaldone quaresimale." Pagine scelte a cura di Alessandro Perosa. xxvii, (1), 264, (2)pp., 5 plates. 4to. II: A Florentine Patrician and His Palace. Studies by F.W. Kent, Alessandro Perosa, Brenda Preyer, Piero Sanpaolesi & Roberto Salvini. With an introduction by Nicolai Rubinstein. xiv, 258pp., 66 plates. Sm. folio. Cloth.
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164 SALIS, ARNOLD VON. Antike und Renaissance. Über Nachleben und Weiterwirken der Alten in der neueren Kunst. 280pp., 64 plates. 30 text illus. 4to. Cloth.
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165 SCAGLIA, GUSTINA. Drawings of "Roma antica" in a Vitruvius Edition of The Metropolitan Museum of Art. (Sonderdruck aus Band 27/28 [& 29, & 30], Römisches Jahrbuch der Bibliotheca Hertziana.) 3 vols. (76)pp. 12 plates; (30)pp.; (56)pp. Lrg. 4to. Wraps.
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166 SCHLOSSER, JULIUS VON. Die Kunst- und Wunderkammern der Spätrenaissance. Ein Beitrag zur Geschichte des Sammelwesens. (Monographien des Kunstgewerbes. N.S. 11.) (2), 146pp. 102 illus. 4to. Cloth.
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167 SCHWINN, CHRISTA. Die Bedeutung des Torso vom Belvedere für Theorie und Praxis der bildenden Kunst vom 16. Jahrhundert bis Winckelmann. (Europäische Hochschulschriften. Reihe XXVIII: Kunstgeschichte. 1.) vi, 279, (3)pp. 22 illus. hors texte. Sm. 4to. Wraps.
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168 SEPE, GIOVANNI. Rilievi e studi dei monumenti antichi nel Rinascimento. 86, (2)pp. 26 illus. Lrg. 4to. Wraps.
Napoli (Fondazione Politecnica del Mezzogiorno), 1939.
169 SETTIS, SALVATORE (EDITOR). Memoria dell’antico nell’arte italiana. (Biblioteca di Storia dell’Arte. N.S. 1-3.) 3 vols. I: L’uso dei classici. xxvii, (3), 477pp. 187 illus. hors texte. II: I generi e i temi ritrovati. xxxiv, (4), 480pp. 444 illus. hors texte. III: Dalla tradizione all’archeologia. xxxv, (1), 539pp. 439 illus. hors texte. Text figs. Sm. stout 4to. Cloth. D.j. Slipcase.
Torino (Giulio Einaudi), 1984-1986.
170 SEZNEC, JEAN. Nouvelles études sur la Tentation de Saint Antoine. (Studies of the Warburg Institute. 18.) (6), 98pp., 8 plates. 4to. Cloth.
London (Warburg Institute), 1949.
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171 SEZNEC, JEAN. The Survival of the Pagan Gods. The mythological tradition and its place in Renaissance humanism and art. (Bollingen Series. 38.) xvi, (2), 376pp. 108 illus. 4to. Cloth. Revised edition of "La survivance des dieux antiques," originally published as Vol. 11 of the "Studies of the Warburg Institute," London.
New York (Pantheon Books), 1953.
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172 SEZNEC, JEAN. La survivance des dieux antiques. Essai sur le rôle de la tradition mythologique dans l’humanisme et dans l’art de la Renaissance. (Studies of the Warburg Institute. 11.) 371pp., 4 plates with 108 illus. 4to. Wraps. (disbound; covers chipped). Scarce. Inscribed by Fritz Saxl; from the library of Phyllis Pray and Harry Bober.
London (The Warburg Institute), 1940.
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173 SINGLETON, CHARLES S. (EDITOR). Art, Science, and History in the Renaissance. (The Johns Hopkins Humanities Seminars.) 446pp. Illus. Lrg. 4to. Cloth. D.j.
Baltimore (The Johns Hopkins Press), 1967.
174 SISTO IV E GIULIO II, MECENATI E PROMOTORI DI CULTURA. A cura di Silvia Bottaro, Anna Dagnino, Giovanna Rotondi Terminiello. Atti del Convegno Internazionale di Studi, Savona, 1985. 450pp. Prof. illus. 4to. Wraps. Texts by 22 contributors.
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175 SPINOLA, GIANDOMENICO. Le sculture nel Palazzo Albertoni Spinola a Roma e le collezioni Paluzzi ed Altieri. (Archaeologica. 115.) 129, (3)pp., 42 plates with 71 illus. Lrg. 4to. Wraps. D.j.
Roma (Giorgio Bretschneider), 1995.
176 STRONG, ROY. Splendor at Court. Renaissance spectacle and the theater of power. 287pp., 12 color plates. 280 illus. 4to. Cloth. D.j.
Boston (Houghton Mifflin), 1973.
177 SUMMERS, DAVID. The Judgement of Sense. Renaissance naturalism and the rise of aesthetics. (Ideas in Context.) xii, (2), 365pp. 7 plates. 4to. Cloth. D.j.
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178 TAYLER, EDWARD WILLIAM. Nature and Art in Renaissance Literature. ix, (5), 225pp., 1 folding plate. 4to. Cloth. D.j. Second printing.
New York/London (Columbia University Press), 1966.
179 THOMASSIN, PHILIPPE. Antiquarum statuarum urbis Romae liber primus (1610-1622). A cura di Angela Gallottini. (Bollettino d’Arte. Volume speciale.) xv, (1), 113pp. Prof. illus. Lrg. 4to. Cloth. D.j.
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180 TORONTO. ART GALLERY OF TORONTO. The Classical Contribution to Western Civilization. A loan exhibition organized and lent by The Metropolitan Museum of Art, New York. 31, (1)pp. Text illus. 4to. Wraps.
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181 TORONTO. VICTORIA UNIVERSITY. CENTRE FOR REFORMATION AND RENAISSANCE STUDIES. Humanist Editions of Classical Authors at the Centre for Reformation and Renaissance Studies, Victoria University, Toronto. By N.L. Adamson, K.R. Bartlett, E. Eisenbichler, J.E. Svilpis. (Occasional Publications. 1.) xi, (1), 71pp. Lrg. 8vo. Wraps. Signed by the authors.
Toronto (CRRS), 1979.
182 TORTELLI, GIOVANNI. Roma antica. Introduzione e commento a cura di Luisa Capoduro. (R.R. inedita. 20.) 119, (3)pp. Sm. 8vo. Wraps.
Roma (Roma del Rinascimento), 1999.
183 TREADGOLD, WARREN (EDITOR). Renaissances Before the Renaissance: Cultural Revivals of Late Antiquity and the Middle Ages. x, (2), 238pp. 16 illus. Sm. 4to. Cloth. D.j. Texts by 7 contributors.
Stanford (Stanford University Press), 1984.
184 TREU, GEORG. Hellenistische Stimmungen in der Bildhauerei von einst und jetzt. (Das Erbe der Alten. 1.) (6), 50, (2)pp., 1 plate. 62 illus. 4to. Wraps. (chipped).
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185 VALORI, SUSANNA. Disegni di antichità dell’Albertina di Vienna. (Xenia: Quaderni. 6.) 231pp. Prof. illus. Sq. 4to. Wraps.
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186 VASORI, ORIETTA. I monumenti antichi in Italia nei disegni degli Uffizi. A cura di Antono Giuliano. (Xenia: Quaderni. 1.) 255pp. 189 illus. Sq. 4to. Wraps.
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187 VERMEULE, CORNELIUS C., III. The Dal Pozzo-Albani Drawings of Classial Antiquities in the Royal Library at Windsor Castle. (Transactions of the American Philosophical Society. N.S. Vol. 56, Part 2.) 190pp. Over 270 illus. Lrg. 4to. Wraps.
Piladelphia (The American Philosophical Society), 1966.
188 VERMEULE, CORNELIUS C. The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum. (Transactions of the American Philosophical Society. N.S. Vol. 50, Part 5.) 78pp. 40 plates. Lrg. 4to. Wraps.
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189 VERMEULE, CORNELIUS. European Art and the Classical Past. xvi, 206pp., 128 plates. Sq. 4to. Cloth.
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190 VOLKMANN, LUDWIG. Bilderschriften der Renaissance. Hieroglyphik und Emblematik in ihren Beziehungen und Fortwirkungen. 132pp. 110 illus. Lrg. 4to. Cloth. Reprint of the Leipig 1923 edition.
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191 (WARBURG INSTITUTE). Kulturwissenschaftliche Bibliographie zum Nachleben der Antike. Erster Band: Die Erscheinungen des Jahres 1931. In Gemeinschaft mit Fachgenossen bearbeitet von Hans Meier, Richard Newald, Edgar Wind. Herausgegeben von Bibliothek Warburg. xxviii, (6), 333, (7)pp. With: A Bibliography on the Survival of the Classics. Second volume: The publications of 1932-1933. Edited by The Warburg Institute. xiv, (2), 382pp. 4to. Wraps. Extremely rare in complete sets.
Leipzig (B.G. Teubner), 1934- London (The Warburg Institute), 1938.
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192 WARDEN, JOHN (EDITOR). Orpheus: The Metamorphoses of a Myth. xiii, (1), 238pp. 28 illus. 4to. Wraps.
Toronto/Buffalo (University of Toronto Press), 1985.
193 WASHINGTON. NATIONAL GALLERY OF ART. Early Italian Engravings from the National Gallery of Art. Texts by Jay A. Levenson, Konrad Oberhuber, Jacquelyn L. Sheehan. xxviii, (2), 587, (1)pp. Prof. illus. Stout 4to. Wraps.
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194 WASHINGTON. NATIONAL GALLERY OF ART. Prints of the Italian Renaissance. A handbook of the exhibition by Jay A. Levenson. June-Oct. 1973. (34)pp. Prof. illus. 4to. Wraps.
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195 WASHINGTON. SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE. Renaissance Master Bronzes from the Collection of the Kunsthistorisches Museum Vienna. [By] Manfred Leithe-Jasper. 304pp. Prof. illus. 4to. Wraps.
Washington, 1986.
196 WEISS, ROBERTO. The Renaissance Discovery of Classical Antiquity. xii, 222pp., 16 plates. 4to. Cloth.
Oxford (Basil Blackwell), 1969.
197 WHALLEY, JOYCE IRENE. Pliny the Elder: Historia naturalis. 46, (2)pp. 21 color plates, 3 text figs. 4to. Cloth. D.j.
London (Victoria and Albert Museum), 1982.
198 WIND, EDGAR. The Eloquence of Symbols: Studies in Humanist Art. Edited by Jaynie Anderson with a biographical memoir by Hugh Lloyd-Jones. xxxvi, 135, (3)pp. 59 illus. hors texte. Lrg. 4to. Cloth. D.j.
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199 WIND, EDGAR. Pagan Mysteries in the Renaissance. 230, (2)pp. 77 illus. hors texte. 4to. Cloth.
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200 [WITTKOWER, RUDOLF.] Selected Lectures of Rudolf Wittkower. The impact of non-European civilizations on the art of the West. Compiled and edited by Donald Martin Reynolds; foreword by Margot Wittkower. xxix, (1), 235pp. Prof. illus. 4to. Cloth. D.j.
Cambridge (Cambridge University Press), 1989.
201 WREDE, HENNING. Der Antikengarten der del Bufalo bei der Fontana Trevi. (Trierer Winckelmannsprogramme. 4.) 40, (2)pp., 22 plates. 4 text figs. Lrg. 4to. Boards.
Mainz (Verlag Philipp von Zabern), 1983.
MONOGRAPHS ON ARTISTS
202 Herrmann-Fiore, Kristina. Disegni degli ALBERTI. Il volume 2503 del Gabinetto Nazionale delle Stampe. (Xenia. Quaderni. Vol. 4.) 305, (3)pp. Prof. illus. Sq. 4to. Wraps. Published in conjunction with an exhibition at the Gabinetto Nazionale delle Stampe, Roma, Nov. 1983-Jan. 1984.
Roma (De Lucca), 1983.
203 Convegno internazionale indetto nel V centenario di LEON BATTISTA ALBERTI (Roma-Mantova-Firenze, 25-29 aprile 1972). (Accademia Nazionale dei Lincei. Annop CCCLXXI-1974. Problemi Attuali di Scienza e di Cultura. 209.) 368, (2)pp. Prof. illus. 4to. Wraps. (chipped). Texts by 15 contributors, including M. Salmi, G.C. Argan, G. Becatti, M. Baxandall, A. Parronchi, C. Grayson.
Roma (Accdemia Nazionale dei Lincei), 1974.
204 Ponte, Giovanni. LEON BATTISTA ALBERTI, umanista e scrittore. 210pp. 4to. Wraps.
Genova (Tilgher-Genova), 1981.
205 Bober, Phyllis Pray. Drawings After the Antique by AMICO ASPERTINI. Sketchbooks in the British Museum. (Studies of the Warburg Institute. Vol. 21.) xiv, 108pp., 64 plates with 148 illus. Lrg. 4to. Cloth.
London (The Warburg Institute), 1957.
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206 Schweikhart, Gunter. Der Codex Wolfegg. Zeichnungen nach der Antike von AMICO ASPERTINI. (Studies of the Warburg Institute. 38.) xxv, (1), 133, (1)pp., 59 plates with 162 illus. Lrg. 4to. Cloth.
London (The Warburg Institute), 1986.
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207 London. Clarendon Gallery. BARTOLOMEO CAVACEPPI. Eighteenth-century restorations of ancient marble sculpture from English private collections. Catalogue and introduction by Carlos A. Picon. Nov.-Dec. 1983. 85, (3)pp. Prof. illus. 4to. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober.
London, 1983.
208 Micheli, Maria Elisa. GIOVANNI COLONNA da Tivoli: 1553. (Xenia. Quaderni. 2.) 163, (3)pp. 136 illus. Oblong 4to. Wraps.
Roma (De Luca), 1982.
209 Pressouyre, Sylvia. NICOLAS CORDIER. Recherches sur la sculpture à Rome autour de 1600. (Collection de l’École Française de Rome. 73.) 2 vols. xvii, (1), 529, (7)pp. 353 illus. hors texte. Lrg. 4to. Wraps. D.j.
Roma (École Française de Rome), 1984.
210 (DINGLINGER) Enking, Ragna. Der Apis-Altar JOHANN MELCHIOR DINGLINGERS. Ein Beitrag zur Auseinandersetzung des Abendlandes mit dem alten Ägypten. (Leipziger Ägyptologische Studien. 11.) 89, (1)pp., 32 plates. 2 text figs. Sm. 4to. Cloth.
Glückstadt (Verlag J.J. Augustin), 1939.
211 Greenhalgh, Michael. DONATELLO and His Sources. ix, (3), 226pp. 146 illus. hors texte. 4to. Cloth. D.j.
London (Duckworth), 1982.
212 Borsi, Franco, et al. GIOVANNI ANTONIO DOSIO. Roma Antica e i disegni di architettura agli Uffizi. A cura di Franco Borsi, Cristina Acidini, Fiammetta Mannu Pisani, Gabriele Morolli. (Officina. 15./ Fonti e Documenti per la Storia dell’Architettura. 6.) 437pp. 472 illus. 4to. Cloth. D.j.
Roma (Officina Edizioni), 1976.
213 Casamassima, Emanuele & Rubinstein, Ruth. Antiquarian Drawings from DOSIO’s Roman Workshop, Biblioteca Nazionale Centrale di Firenze, N.A. 1159. Catalogue. Presentazione di Claudio Leonardi. (Inventari e Cataloghi Toscani. 45.) xxiv, 254, (4)pp. 77 color plates, 17 figs. Lrg. 4to. Wraps. Presentation copy, inscribed by Ruth Rubinstein.
Milano (Giunta Regionale Toscana, Editrice Bibliografica), 1993.
214 Bonicatti, Maurizio. DÜRER nelle storia delle idee umanistiche fra Quattrocento e Cinquecento. (The Journal of Medieval and Renaissance Studies. Vol. 1#2.) (122)pp. 52 illus. hors texte. 4to. Wraps.
Durham (Duke University Press), 1971.
215 Ericsson, Christoffer H. Roman Architecture Expressed in Sketches by FRANCESCO DI GIORGIO MARTINI. Studies in Imperial Roman and Early Christian architecture. (Commentationes Humanarum Literarum. 66.) 251pp. 87 illus. 4to. Wraps.
Helsinki (Societas Scientiarum Fennica), 1980.
216 Degenhart, Bernhard & Schmitt, Annegrit. GENTILE DA FABRIANO in Rom und die Anfänge des Antikenstudiums. (Münchner Jahrbuch der Bildenden Kunst. 3. Folge, Band 11. Sonderdruck.) (92)pp. 106 illus. 4to. Wraps.
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217 Guerrini, Lucia. Marmi antichi nei disegni di PIER LEONE GHEZZI. (Documenti e Riproduzioni. 1.) xi, (1), 145, (3)pp., 87 plates. Sm. folio. Wraps.
Città del Vaticano (Biblioteca Apostolica Vaticana), 1971.
218 Scaglia, Gustina. A Translation of Vitruvius and Copies of Late Antique Drawings In BUONACCORSO GHIBERTI’s Zibaldone. (Transactions of the American Philosophical Society. Vol. 69, Part 1.) 30pp. 13 illus. 4to. Wraps.
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219 Dacos, Nicole. GHIRLANDAIO et l’antique. (Extrait du Bulletin de l’Institut Historique Belge de Rome, fasc. 34.) (34)pp., 23 plates. Text illus. 4to. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober. With a letter from the author inserted.
Bruxelles/Rome (Institut Historique Belge de Rome), 1962.
220 Egger, Hermann., et al. (editors). Codex Escurialensis. Ein Skizzenbuch aus der Werkstatt DOMENICO GHIRLANDAIOS. Unter Mitwirkung von Christian Hülsen und Adolf Michaelis herausgegeben von Hermann Egger. 2 vols. 173, (1)pp., 5 folding or double-page plates. 70 figs.; 75 plates with 137 illus. Lrg. 4to. Cloth. D.j. Reprint of the Wien 1905-1906 edition.
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221 Saint Louis. Saint Louis Art Museum. The Engravings of GIORGIO GHISI. April-May 1985. Introduction and entries by Suzanne Boorsch; catalogue raisonné by Michel and R.E. Lewis. 247pp. Prof. illus. 4to. Cloth. D.j.
New York (The Metropolitan Museum of Art), 1985.
222 Dhanens, Elisabeth. De Romeinse ervaring van GIOVANNI BOLOGNA. (Extrait du "Bulletin de l’Institut Historique Belge du Rome," fasc. 35.) (32)pp., 28 plates with 76 illus. 4to. Wraps. Presentation copy, inscribed by the author.
Bruxelles/Rome (Academia Belgica), 1963.
223 Fontana, Vincenzo. Fra’ GIOVANNI GIOCONDO, architettto 1433 c. 1515. (Nuovi Saggi e Studi di Storia dell’Arte e della Cultura. 2.) 117pp. 132 illus. hors texte. 4to. Wraps. D.j.
Vicenza (Neri Pozza), 1988.
Freitag 4303
224 Hartt, Frederick. Drawings by GIULIO ROMANO in the National Museum in Stockholm. (Sätryck ur Nationalmusei Årsbok, 1939.) (28)pp. 16 plates. 4to. Wraps. (chipped). Presentation copy, inscribed by the author to Harry Bober.
Stockholm (Nationalmusei), 1939.
225 Hülsen, Christian & Egger, Hermann. Die Römischen Skizzenbücher von MARTEN VAN HEEMSKERCK im Königlichen Kupferstichkabinett zu Berlin. 2 vols. [Text] xiv, (4), 58pp., xviii, (2), 84pp.; [Plates] (2)pp., 211 plates (3 folding). Folio. Cloth. Reprint of the Berlin, Julius Bard, 1913-1916 edition.
Soest (Davaco), 1975.
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226 HOLLANDA, FRANCISCO DE. Four Dialogues on Painting. Rendered into English by Aubrey F.G. Bell. xv, (1), 110pp. Frontis. Lrg. 8vo. Cloth (slightly worn).
London (Oxford University Press), 1928.
227 Destombes, Marcel. Les cartes de LAFRÉRI et assimilées (1532-1586) du Département des Estampes de la Bibliothèque Nationale. (Nouvelles de l’Estampe. 5.) 42ff. 4to. Boards. Mimeographed.
Paris (Comité Nationale de la Gravure Française/ Cabinet des Estampes de la Bibliothèque Nationale), 19701970.
228 (LAFRÉRY, ANTONIO) New York. Columbia University. Avery Architectural Library. Department of Art History and Archaeology. Catalogue of the Earl of Crawford’s "Speculum Romanae Magnificentiae" Now in the Avery Architectural Library. By Lawrence R.McGinniss with the assistance of Herbert Mitchell. v, (3), 75pp. Sm. 4to. Wraps. Presentation copy, inscribed by the author to Phyllis Pray Bober.
New York, 1976.
229 New York. H.P. Kraus. LAFRERI’s Speculum Romanae Magnificentiae from the Library of the Earl of Crawford. The most extensive copy known. 32ff. Lrg. 4to. Wraps. Mimeographed.
New York, n.d.
230 Mandowsky, Erna. Some Observations on PYRRHO LIGORIO’s Drawings of Roman Monuments in Cod. B XIII 7 at Naples. (Estratto di Rendiconti della Pontificia Academia Romana di Archeologia, vol. 27.) (24)pp. 14 illus. 4to. Wraps. (chipped). Presentation copy, inscribed by the author to Phyllis Pray Bober.
Città del Vaticano (Topografia Poliglotta Vaticana), 1952/1954.
231 Mandowsky, Erna & Mitchell, Charles. PIRRO LIGORIO’s Roman Antiquities. The drawings in MS XIII. B. 7 in the National Library in Naples. (Studies of the Warburg Institute. 28.) xvii, (1), 153, (3)pp., 76 plates. Lrg. 4to. Cloth.
London (The Warburg Institute), 1963.
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232 Palma Venetucci, Beatrice (editor). PIRRO LIGORIO e le terme tiburtine. Testi di Adele Anna Amadio, Paola Baldassarri, Roberta Belli Pasqua, Beatrice Cacciotti, Antonella Di Leo, Carolina Griffo, Barbara Nobiloni, Gianni Ponti, Marco Romano, Simonetta Savona. [Vol. 2]: Le erme tiburtine e gli scavi del Settecento. Testi di Paola Baldassarri, Beatrice Cacciotti, Antonella Di Leo, Carolina Griffo, Barbara Nobiloni, Gianni Ponti, Marco Romano, Simonetta Savona. (Uomini Illustri dell’Antichità. I./ Comitato nazionale per lo studio delle opere di Pirro Ligorio. Dipartimento di storia dell'Università di Roma Tor Vergata.) 310pp. 441 illus. Lrg. 4to. Wraps.
Roma (Leonardo-De Luca), 1992.
233 Volpi, Caterina. PIRRO LIGORIO e i giardini a Roma nella seconda metà del Cinquecento. 75, (7)pp. 55 illus. 4to. Wraps.
Roma (Lithos Editrice), [1995/1996].
234 Volpi, Caterina (editor). Il libro dei disegni di PIRRO LIGORIO all’Archivio di Stato di Torino. Testi di Maurizio Calvesi, Andreina Griseri, Isabella Massabò Ricci, Matthias Winner. 199pp. 106 plates (24 color), numerous reference illus. Sm. folio. Cloth. D.j.
Roma (Edizioni dell’Elefante), 1994.
235 Leoncini, Luca. Il codice detto del MANTEGNA. Codice Destailleur OZ 111 della Kunstbibliothek di Berlino. (Xenia antiqua. Monografie. 1.) 274pp. Prof. illus. Lrg. 4to. Wraps.
Roma ("L’Erma" di Bretschneider), 1993.
236 Favaretto, Irene. ANDREA MANTOVA, Benavides. Inventario delle antichità de Casa Mantova, Benevides, 1695. 134pp. Ref. illus. 4to. Wraps.
Padova (Società Cooperativa Tipografica), 1978.
237 Wasserman, Jack. OTTAVIANO MASCARINO and His Drawings in the Accademia Nazionale di San Luca. xxi, (1), 226pp. 198 illus. hors texte. Lrg. 4to. Cloth. Presentation copy, inscribed by the author to Phyllis Pray and Harry Bober.
Roma (Accademia Nazionale di San Luca), 1966.
238 Firenze. Casa Buonarroti. MICHELANGELO e l’arte classica. A cura di Giovanni Agosti e Vincenzo Farinella. April-Oct. 1987. 131pp. Prof. illus. Sq. 4to. Cloth. D.j.
Firenze, 1987.
Freitag 8175
239 Fancelli, Paolo. PALLADIO e Praeneste. Archeologia, modelli, progettazione. (Studi di Storia dell’Arte. 2.) 255pp. 40 illus. Wraps.
Roma (Bulzoni), [1974].
Freitag 9326
240 Firenze. Uffizi. Gabinetto Disegni e Stampe. Mostra di disegni di PERINO DEL VAGA e la sua cerchia. Catalogo critica a cura di Bernice Davidson. (Cataloghi. Vol. 23.) 87, (8)pp., 50 plates. Sm. 4to. Wraps. Reprint of the original edition of 1966.
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241 Schmitt, Annegrit. Herkules in einer unbekannten Zeichnung PISANELLOS. Ein Beitrag zur Ikonographie der Frührenaissance. (Sonderdruck aus Jahrbuch der Berliner Museen, 17. Band.) (34)pp. 37 illus. Folio. Wraps.
Berlin (Gebr. Mann Verlag), 1975.
242 Weiss, Roberto. PISANELLO’s Medallion of the Emperor John VIII Palaeologus. 32pp., 17 plates (1 color). Wraps.
London (British Museum), 1966.
243 Ravelli, Lanfranco. Un fregio di POLIDORO a Palazzo Baldassini in Roma. (Ateneo di Science, Lettere ed Arti, Bergamo. Atti. Supplemento al vol. 47.) 83pp. 6 color plates, 66 illus. 4to. Wraps.
Bergamo (Edizioni dell’Ateneo di Scienze, Lettere ed Arti), 1988.
244 Friedlaender, Walter & Blunt, Anthony. Drawings of NICOLAS POUSSIN: Catalogue Raisonné. (Studies of the Warburg Institute. V, 5.) Part Five: Drawings After the Antique. Miscellaneous Drawings. Addenda. 324pp. Prof. illus. Lrg. 4to. Cloth.
London (The Warburg Institute), 1974.
Freitag 9954; Arntzen/Rainwater R73; Chamberlin 2481
245 RAFFAELLO. Il pianto di Roma. Lettera a Leone X. Con una notizia di Piero Buscaroli. ("La Torre d’Avorio.") 53, (7)pp. Frontis. Wraps. Edition limited to 476 numbered copies.
Torino (Fògola Editore), 1984.
246 Morolli, Gabriele. "Le belle forme degli edifici antichi." RAFFAELLO e il progetto del primo trattato rinascimentale sulle antichità di Roma. (Saggi e Documenti. 40. Sezione: Letteratura Architettonica [Trattati, Storie, Scritti sull’Arte Edificatoria].) 262pp. 71 plates. Sm. 4to. Wraps.
Firenze (Alinea Editrice), 1984.
247 Pfeiffer, Heinrich. Zur Ikonographie von RAFFAELS Disputa. Egidio da Viterbo und die christlich-platonische Konzeption der Stanza della Segnatura. (Pontificia Universitas Gregoriana: Miscellanea Historiae Pontificiae. 37.) 291, (3)pp., 38 plates (1 color). 9 text figs. 4to. Wraps.
Roma (Università Gregoriana Editrice), 1975.
248 Borsi, Stefano. GIULIANO DA SANGALLO: I disegni di architettura e dell’antico. (Fonti e Documenti per la Storia dell’Architettura. 9.) (4), 551pp. Prof. illus. 4to. Cloth. D.j. Presentation copy, inscribed by the author to Phyllis Pray Bober.
Roma (Officina Edizioni), 1985.
249 Thornton, Peter & Dorey, Helen. Sir JOHN SOANE. The architect as collector, 1753-1837. 128pp. 130 illus. (99 color). Lrg. 4to. Cloth. D.j.
New York (Harry N. Abrams), 1992.
250 Barocelli, Francesco. Ercole e i Farnese. In margine al recupero della statua di Ercole e Anteo di THEODOR VAN DER STURCK. (Immagini di Storia.) 99, (1)pp. 96 illus. (26 color). Lrg. 4to. Cloth. D.j.
Milano (Edizioni L’Agrifoglio), 1993.
251 Kennedy, Ruth Wedgwood. Novelty and Tradition in TITIAN’s Art. (The Katherine Ashel Engel Lectures, Smith College. 1962.) (2), 29, (1)pp. 51 gravure illus. hors texte. Sm. 4to. Wraps. Presentation copy, inscribed by the author.
Northampton, Massachusetts (Smith College), 1963.
252 Plommer, Hugh. VITRUVIUS and Later Roman Building Manuals. (Cambridge Classical Studies.) vii, (1), 116, (2)pp. 4 illus. Sm. 4to. Cloth. D.j.
Cambridge (Cambridge University Press), 1973.
253 Fontana, Vincenzo & Morachiello, Paolo (editors). VITRUVIO e RAFFAELLO. Il "De Architectura" di Vitruvio nella traduzione inedita di Fabio Calvo Ravennate. (Fonti e Documenti per la Storia dell’Architettura. 5./ Officina. 13.) 553, (3)pp., 49 plates. 4to. Cloth.
Roma (Officina Edizioni), 1975.