rare and scholarly books on the fine arts

      1    AMSTERDAM. RIJKSMUSEUM. De triomf van het Manierisme. De europese stijl van Michelangelo tot El Greco. July-Oct. 1955. Texts by R. van Luttervelt, Charles Sterling, Jean Adhémar, Hans R. Weihrauch. (Second Council of Europe Exhibition.) 244pp., 107 plates. Sm. 4to. Wraps.

            Amsterdam, 1955.                                                                                                                                                           $35.00

            Arntzen/Rainwater R21

      2    AMSTERDAM. RIJKSMUSEUM. Le triomphe du maniérisme européen. De Michel-Ange au Gréco. July-Oct. 1955. Texts by R. van Luttervelt, Charles Sterling, Jean Adhémar, Hans R. Weihrauch. (Second Council of Europe Exhibition.) 244pp., 107 plates. Sm. 4to. Wraps.

            Amsterdam, 1955.                                                                                                                                                           $40.00

            Arntzen/Rainwater R21

      3    AMSTERDAM. RIJKSMUSEUM. RIJKSPRENTENKABINET. Het eerste manierisme in Italië, 1500-1540. Catalogus van de tentoonstelling van tekeningen uit het bezit der musea te Florence, Rome en Venetië. April-July 1954. Text by Giulia Sinibaldi. 93, (3)pp. 17 illus. hors texte. Sm. 4to. Wraps.

            Amsterdam, 1954.                                                                                                                                                           $30.00

      4    BALTIMORE. THE WALTERS ART GALLERY. Treasures & Rarities. Renaissance, Mannerist and Baroque. [By] Ann Gebhart. (A Walters Art Gallery Picture Book.) 39, (1)pp. 34 plates. Lrg. 4to. Wraps.

            Baltimore, 1971.                                                                                                                                                              $12.50

      5    BECHERUCCI, LUISA. Manieristi toscani. (I Grandi Artisti Italiani.) 62p., 145 plates (1 color). Sm. sq. 4to. Cloth. Paper a bit browned, as usual.

            Bergamo (Istituto Italiano d’Arti Grafiche), 1944.                                                                                                            $40.00

      6    BORA, GIULIO. Disegni di manieristi lombardi. Introduzione di Anna Maria Brizio; presentazione di Angelo Paredi. (Fontes Ambrosiani. Vol. 46.) 60, (4)pp., 94 plates with 123 illus. Sm. 4to. Wraps.

            Vicenza (Neri Pozza), 1971.                                                                                                                                           $50.00

      7    BORGHINI, RAFFAELLO. Il riposo. 3 vols. vii, 295, 260, 235pp. Fully engraved title-pages; culs-de-lampe. Sm. 4to. Contemporary mottled calf gilt. The third edition of the work, first published in 1584 and annotated by Bottari in the Florence edition of 1730. “The work is divided into four books, the first two are of a theoretical nature, while the third and fourth contain important information on the artistic and cultural world of Florence. In the ‘Riposo’ Borghini relied for information mainly on Vasari, and he may be considered Vasari’s successor. Although much of the treatise lacks originality, it is useful as a source where it deals with artists contemporaneous with the author, such as those who worked in the studiolo of Francesco I, or Francesco Zuccari or sculptors such as Giambologna, who was also probably a friend of Borghini” (Donatella Pegazzano, in The Dictionary of Art). A handsome set.

            Siena (Dai Torchi Pazzini Carli), 1787.                                                                                                                       $1,500.00

            Schlosser p. 373; cf. Arntzen/Rainwater H34

      8    BRIGANTI, GIULIANO. Italian Mannerism. 166pp. 100 color plates. Sm. folio. Cloth.

            N.p. (Van Nostrand), 1962.                                                                                                                                           $100.00

            Arntzen/Rainwater M325

      9    (FOULC COLLECTION) PARIS. HÔTEL DES COMMISSAIRES-PRISEURS. Catalogue d’une très importante collection de livres d’architecture, recueils d’ornements, propres à la décoration des édifices et aux arts industriels par les maîtres ornemanistes français et étrangers des XVIe, XVIIe et XVIIIe siècles; livres illustrés du XVe au XVIIIe siècle, comprenant notamment une remarquable série de livres à figures sur bois italiens; estampes, dessins. Sale, 3-6 June 1914. viii, 190, (2)pp., 20 collotype plates. 4to. Wraps. Glassine d.j. The preface notes at the conclusion, “Tous les volumes et recueils portent l’ex-libris de M. E. Foulc.” Handsomely printed on uncut aid paper. Last blank leaf defective, otherwise a fine copy.

            Paris (Librairie Albert Besombes), 1914.                                                                                                                      $175.00

    10    FREEDBERG, S.J. Circa 1600. A revolution of style in Italian painting. (8), 114, (12)pp. 154 illus. (3 color plates). Oblong 4to. Cloth. D.j.

            Cambridge (Harvard University Press), 1983.                                                                                                                $40.00

    11    FREEDBERG, S.J. Circa 1600. A revolution of style in Italian painting. (8), 114, (12)pp. 154 illus. Oblong 4to. Wraps.

            Cambridge (Harvard University Press), 1983.                                                                                                                $20.00

    12    FREY, DAGOBERT. Manierismus als europäische Stilerscheinung. Studien zur Kunst des 16. und 17. Jahrhunderts. Herausgegeben von Gerhard Frey. 154pp. 4to. Wraps.

            Stuttgart (W. Kohlhammer Verlag), 1964.                                                                                                                       $20.00

    13    FRIEDLAENDER, WALTER. Mannerism and Anti-Mannerism in Italian Painting. Two essays. xiv, 89pp., 46 plates. Sm. 4to. Cloth.

            New York (Columbia University Press), 1957.                                                                                                               $35.00

            Lucas p. 83

    14    FRIEDLÄNDER, MAX J. Die niederländischen Manieristen. (Bibliothek der Kunstgeschichte. Vol. 3.) 10, (2)pp., 20 plates. Sm. 8vo. Marbled boards.

            Leipzig (E.A. Seemann), 1921.                                                                                                                                       $17.50

            Chamberlin 2390

    15    GALLAVOTTI CAVALLERO, DANIELA, ET AL. L’arte in Roma nel secolo XVI. 2° tomo: La pittura e la scultura. Di Daniela Gallavotti Cavallero, Fabrizio D’Amico, Claudio Strinati. (Storia di Roma. 29/2.) 552pp., 295 plates. Stout 4to. Cloth. D.j.

            Bologna (Cappelli Editore), 1992.                                                                                                                                    $50.00

    16    GOLDSCHMIDT, FRITZ. Pontormo, Rosso und Bronzino. Ein Versuch zur Geschichte der Raumdarstellung. Mit einem Index ihrer Figurenkompositionen. 56, (2)pp., 11 plates. Lrg. 4to. Wraps. Uncut. Printed on fine laid paper. Backstrip chipped.

            Leipzig (Klinkhardt & Biermann), 1911.                                                                                                                         $125.00

    17    HARASZTI-TAKÁCS, MARIANNA. Tableaux maniéristes. 29, (2)pp., 48 color plates. Sq. 4to. Cloth. D.j. Based on the Mannerist paintings in the Museum of Fine Arts, Budapest.

            Budapest, 1968.                                                                                                                                                              $25.00

    18    HAUSER, ARNOLD. Mannerism. The crisis of the Renaissance & the origin of modern art. 2 vols. Text: xx, 425pp. Plates: xiii pp., 322 plates. 4to. Cloth. D.j. Slipcase.

            New York (Alfred A. Knopf), 1965.                                                                                                                              $175.00

            Arntzen/Rainwater I215; Lucas p. 72

    19    HAYWARD, J.F. Virtuoso Goldsmiths and the Triumph of Mannerism, 1540-1620. 751pp., 24 color plates. 740 illus. Sm. folio. Cloth. D.j.

            London (Sotheby Parke Bernet), 1976.                                                                                                                        $325.00

            Arntzen/Rainwater P476

    20    INDIANAPOLIS. JOHN HERRON ART MUSEUM. Pontormo to Greco. The Age of Mannerism. A loan exhibition of paintings and drawings of the century 1520-1620. Feb.-March 1954. Preface by Walter Friedlaender. v, (5)pp., 71 plates. 4to. Wraps.

            Indianapolis, 1954.                                                                                                                                                          $17.50

    21    JANNONI, GIOVANNI. Saggi di architettura e decorazione italiana. 3 vols in 1. [I:] Graffiti e chiaroscuri esistenti nel’esterno delle case. (Secolo XV. XVI.) [II:] Il Palazzo di Caprarola. (Secolo XVI.) [III:] Le targhe delle carte geografiche nel Vaticano. (4)pp., 37 engraved plates (2 double-page folding); v, (3)pp., 60 engraved plates (9 double- or triple-page folding); (4)pp., 14 engraved plates. Lrg. folio. Marbled boards, 1/4 cloth. All plates hinged into the binding. Plates designed and engraved by Enrico Maccari. Binding worn; a trace of foxing, but generally clean and fresh.

            Roma (Enrico Maccari Incisore e Editore), [187- ?].                                                                                                   $1,200.00

    22    LONDON. HEIM GALLERY. Mannerist Paintings and Sculptures. May-Aug. 1970. (Exhibition Catalogue No. 11.) 20, (1)pp. 36 illus. hors texte. 4to. Wraps.

            London, 1970.                                                                                                                                                                 $25.00

    23    LOS ANGELES. LOS ANGELES COUNTY MUSEUM OF ART. Mannerist Prints. International style in the sixteenth century. [By] Bruce Davis. July-Oct. 1988. 336pp. 272 illus. (21 color). Lrg. 4to. Cloth. D.j.

            Los Angeles, 1988.                                                                                                                                                         $85.00

    24    MAROLOIS, SAMUEL. Opera mathematica, ou oeuvres mathematiques traictans de geometrie, perspective, architecture, et fortification. De nouveau reveüe, augmentée, et corrigée par Albert Girard. (2), 51, (1)pp.; (2), 50pp.; (2), 15, (1); (2), 19-24pp.; (40)pp.; (2), 39, (1)pp., 40pp. 271 double-page engraved plates hors texte, in various sequences. Stout folio. Contemporary calf gilt at spine; raised bands. This collection was originally published by Hondius in The Hague in 1614; numerous editions of it were issued over the following half-century, of which this is probably the ninth (with separate title-pages dated 1647, except for the final part, which is dated 1644). Organized in five sections, on geometry, optics, perspective, architecture, and fortifications, it includes scenographic plates by Jan Vredeman de Vries dating back to 1604. Copies vary widely in composition and are often found incomplete (as, for example, the Millard copy at the National Gallery, Washington). Hairline split in surface of front hinge, small hole in surface of back cover.

            Amsterdam (Jan Jansen), 1662.                                                                                                                                $7,500.00

            Millard Northern European 65; cf. Fowler 191; Berlin 4707; Hollstein (Dutch( 48: 518-591; New Hollstein: Hendrick Hondius, 316-361; Mielke 31 (13)

    25    OTTAWA. NATIONAL GALLERY OF CANADA. Fontainebleau. L’art en France 1528-1610./ Art in France 1528-1610. March-April 1973. 2 vols. I: Plates. 251pp. Prof. illus. II: Catalogue. Introduction by Sylvie Béguin. 187, (1)pp. 4to. Wraps.

            Ottawa, 1973.                                                                                                                                                               $100.00

    26    PARIS. MUSÉE DU LOUVRE. Le XVIe siècle européen. Dessins du Louvre. Texts by Maurice Sérullaz and Roseline Bacou. 113pp., 72 plates with 263 illus. Sq. 4to. Wraps.

            Paris, 1965.                                                                                                                                                                     $60.00

    27    PORCACCHI, TOMMASO. Funerali antichi di diversi popoli, et nationi; forma, ordine, et pompa di sepolture, di essequie, di consecrationi antiche et d’altro, descritti in dialogo. Con le figure in rame di Girolamo Porro padovano. (8), 95, (1)pp. Fully engraved dec. title and 23 numbered engravings by Girolamo Porro in text (approx. 92 x 155 mm. each). Handsome woodcut publisher’s device in colophon, woodcut culs-de-lampe and lettrines. Lrg. 4to. Contemporary vellum over boards, titled in pen at the spine. Second edition; the first was published by Galignani in 1574. Mortimer notes that several of the copperplates (nos. 3-6, 13, 16) show signs of reworking. This treatise on the funerary customs of the ancients (Roman, Greek, Egyptian, Indian, Scythian and other) was used as a handbook by planners of princely funerals; Vincenzo Borghini, for example, is known to have consulted it for the obsequies of Cosimo I de’ Medici. The text is in the form of a dialogue about the plates, and begins with a discussion of the illustrator, Girolamo Porro, who is described as the inventor of a flying machine, as well as an artist of remarkable gifts. Porcacchi and Porro collaborated on another work shortly before this, ‘L’isole piu famoso del mondo’ (Venice, 1572). Porro’s illustrations are based in part on engravings in Pierre Woeiriot’s “Pinax iconicus antiquorum ac variorum in sepulturis rituum ex Lilio Gregorio excerpta” (Lyons, 1556). Occasional light stains and spots; generally a crisp copy, with strong clear impressions of the prints; covers slightly bowed.

            Venetia (Giorgio Angelieri, alle spese de gli Heredi di Simon Galignani de Karera), 1591.                                        $1,750.00

            Borroni II.13439.1; Cf. (citing both editions): Cicognara 1766; Mortimer Italian 395; Brunet IV.820; Graesse V.414; Adams P1903

    28    POUGHKEEPSIE. VASSAR COLLEGE. ART GALLERY. Dutch Mannerism. Apogee and epilogue. April-June 1970. Text by Wolfgang Stechow. 73, (5)pp., 61 plates. Sm. 4to. Wraps.

            Poughkeepsie, 1970.                                                                                                                                                       $20.00

    29    REICHEL, ANTON. Die Clair-Obscur-Schnitte des XVI., XVII. und XVIII. Jahrhunderts. 71, (1)pp., 111 superb color facsimile plates, tipped onto hinged heavy mounts. 14 tipped-in collotype illus. in text. Lrg. stout folio. Cloth. D.j.

            Zürich/Leipzig (Amalthea-Verlag), 1926.                                                                                                                      $500.00

    30    ROBINSON, FRANKLIN W. & NICHOLS, STEPHEN G., JR. (EDITORS). The Meaning of Mannerism. 134pp. 50 illus. Sm. 4to. Cloth. Texts by James V. Mirollo, Thomas M. Greene, Claude V. Palisca, Samuel Y. Edgerton, Jr., Henri Zerner and Ray Nash.

            Hanover, N.H. (University Press of New England), 1972.                                                                                              $45.00

    31    SMART, ALASTAIR. The Renaissance and Mannerism in Italy. 252pp. 178 illus. Sm. 4to. Cloth.

            New York (Harcourt Brace Jovanovich), [1971].                                                                                                           $17.50

    32    STUDING, RICHARD & KRUZ, ELIZABETH. Mannerism in Art, Literature, and Music: A Bibliography. xii, (1), 60, (4)pp. Sm. 4to. Cloth.

            San Antonio, Texas (Trinity University Press), 1979.                                                                                                     $45.00

    33    URBINO. PALAZZO DUCALE. Pittori nelle Marche tra ‘500 e ‘600. Aspetti dell’ultimo Manierismo. Sept.-Dec. 1979. 107, (5)pp. Prof. illus. Sq. 4to. Wraps.

            Urbino, 1979.                                                                                                                                                                   $30.00

    34    VENEZIA. PALAZZO DUCALE. Da Tiziano a El Greco. Per la storia del Manierismo a Venezia, 1540-1590. Sept.-Dec. 1981. Texts by R. Pallucchini, T. Pignatti, G. Romanelli, A. Paolucci, G. Dillon, A. Niero, P. Rossi, S.M. Rinaldi. 349pp. Prof. illus. Sq. 4to. Cloth. D.j.

            Venezia, 1981.                                                                                                                                                              $100.00

    35    WOLF, ROBERT ERICH & MILLEN, RONALD. Renaissance and Mannerist Art. (Panorama of World Art.) 263, (1)pp. 264 illus. (178 color). 4to. Cloth. D.j.

            New York (Harry N. Abrams), 1968.                                                                                                                              $30.00

    36    ZERNER, HENRI. École de Fontainebleau: Gravures. xlvi, (32)pp., 250 heliogravure plates. Lrg. 4to. Cloth. D.j. Presentation copy, inscribed by the author to Agnes Mongan.

            Paris (Arts et Métiers Graphiques), 1969.                                                                                                                    $125.00

            Arntzen/Rainwater N89

    37    Bologna. Palazzo dell’Archiginnasio. Mostra di NICOLO DELL’ABATE. Catalogo critico a cura di Sylvie M. Béguin. Sept.-Oct. 1969. 155, (1)pp., 12 plates. 4to. Wraps.

            Bologna (Edizioni Alfa), 1969.                                                                                                                                         $55.00

            Freitag 21

    38    Godi, Giovanni. NICOLO DELL’ABATE e la presunta attività del Parmigianino a Soragna. (Collana di Storia, Arti Figurative e Architettura. 11.) 159, (3)pp. 64 plates. 4to. Wraps.

            Parma (Luigi Battei), 1976.                                                                                                                                              $85.00

            Freitag 23

    39    AMMANATI, BARTOLOMEO. Autograph letter, signed, to Giovanni Caccini, Provveditore of Cosimo I de’ Medici in Pisa, Florence, 19 January 1571. 8 lines on the recto of a single sheet, with address panel, contemporary endorsement and pen trials on the verso. Oblong 8vo. 130 x 210 mm. (irregular). Ammanati writes to inform of the dispatch to Pisa of the bronze statue from the labyrinth in the garden of the Medici villa at Castello. Reporting that he has sent the ‘fiura’ of bronze to Pisa, as commanded by Signor Montalvo, he explains that he doesn’t know the ultimate destination of the figure; Caccini was to ask His Highness. Neither does Ammanati know who should pay the transport costs.

            It is not certain to which statue from the labyrinth at Castello Ammanati refers. It appears, however, that the only bronze completed for the labyrinth was Giambologna’s “Fiorenza,” a magnificent Venus symbolizing the city of Florence, which crowns the marble fountain by Tribolo at its center and is thought to be based on Tribolo’s design. If this is indeed the sculpture in question, the present letter may provide evidence to resolve longstanding uncertainty about its date, which has been given as either circa 1560, or 1570-1571, which the document would seem to support. We wonder whether Ammanati’s term “fiura” may possibly be an abbreviated form of “Fiorenza.”

            Some of Ammanati’s correspondence to Duke Cosimo I has been published in Gaye’s ‘Carteggio,’ but this letter is unpublished, as are others in the substantial group from which it derives, formerly in the Feltrinelli Collection. Slight ink erosion, small tear at upper margin; generally very good.

            Firenze, 1571.                                                                                                                                                            $3,500.00

    40    Bologna. Museo Civico. Mostra di FEDERICO BAROCCI. Catalogo a cura di Andrea Emiliani, con un repertorio dei disegni di Giovanni Gaeta Bertelà. Sept.-Nov. 1975. (Ente Bolognese Manifestazioni Artistiche. IX Biennale d’Arte Antica. ) lxxii, 526, (2)pp., 2 color plates. 359 illus. Stout 4to. Wraps. From the library of Agnes Mongan.

            Bologna (Edizioni Alfa), 1975.                                                                                                                                       $100.00

    41    Cleveland. The Cleveland Museum of Art & New Haven. Yale University. Art Gallery. The Graphic Art of FEDERICO BAROCCI. Selected drawings and prints. Feb.-March/ April-June 1978. Catalogue by Edmund P. Pillsbury and Louise S. Richards. 112pp. Prof. illus. 4to. Wraps.

            Cleveland/ New Haven, 1978.                                                                                                                                        $35.00

    42    Baccheschi, Edi. L’opera completa del BECCAFUMI. Presentazione di Giuliano Briganti. (Classici dell’Arte. Nuova serie. No. 90.) 116pp. 64 color plates. Lrg. 4to. Wraps.

            Milano (Rizzoli), 1977.                                                                                                                                                     $25.00

    43    Baccheschi, Edi. L’opera completa del BECCAFUMI. Presentazione di Giuliano Briganti. (Classici dell’Arte. Nuova serie. No. 90.) 116pp. 64 color plates. Lrg. 4to. Cloth.

            Milano (Rizzoli), 1977.                                                                                                                                                     $35.00

    44    Des Moines. Des Moines Art Center. The Etchings of JACQUES BELLANGE. Catalogue by Amy N. Worthen and Sue Welsh Reed. Oct.-Nov. 1975. 86pp. Prof. illus. Lrg. 4to. Wraps.

            Des Moines, 1975.                                                                                                                                                          $37.50

    45    Walch, Nicole. Die Radierungen des JACQUES BELLANGE. Chronologie und kritischer Katalog. (Studia Artis Monacensia. Band I.) 233, (1)pp. Prof. illus. 4to. Cloth. D.j.

            München (Robert Wölfle), 1971.                                                                                                                                   $125.00

            Riggs p. 83

    46    Madrid. Cason del Buen Retiro. ALONSO BERRUGUETE. Guía de la exposición commemorativa.... 102, (10)pp. Prof. illus. Lrg. sq. 8vo. Wraps. With the “Supplemento a la guia de la exposicion” (12pp., with 14 illus.) loosely inserted.

            Madrid, 1961.                                                                                                                                                                  $35.00

    47    McComb, Arthur. AGNOLO BRONZINO. His life and works. xx, 173, (3)pp., 61 plates. 4to. Cloth.

            Cambridge (Harvard University Press), 1928.                                                                                                              $275.00

            Freitag 1350; Lucas p. 128

    48    Smyth, Craig Hugh. BRONZINO as Draughtsman. An introduction. With notes on his portraiture and tapestries. x, 104, (2)pp., 40 plates. Sm. 4to. Cloth.

            Locust Valley (J.J. Augustin), 1971.                                                                                                                               $60.00

            Freitag 1353

    49    Moreau-Nélaton, Etienne. Les CLOUET et leurs émules. 3 vols. (4), 256pp.; 168pp.; 298pp. 468 collotype plates (partly in color) hors texte. 4to. Orig. wraps.

            Paris (Henri Laurens), 1924.                                                                                                                                      $1,500.00

            Freitag 2118; Lucas p. 134

    50    Mellen, Peter. JEAN CLOUET. Complete edition of the drawings, miniatures and paintings. (4), 262pp. 193 plates (4 color). Lrg. 4to. Cloth. D.j.

            London (Phaidon), 1971.                                                                                                                                               $200.00

            Freitag 2117

    51    Mellen, Peter. JEAN CLOUET. Catalogue raisonné des dessins, miniatures et peintures. vi, 248, (2)pp. 196 illus. (4 color). Lrg. 4to. Cloth. D.j.

            Paris (Flammarion), 1971.                                                                                                                                             $100.00

            Freitag 2117

    52    DIETTERLIN, WENDEL. Architectura von Ausstheilung, Symmetria und Proportion der Fünff Seulen. Und aller darauss volgender Kunst Arbeit, von Fenstern, Caminen, Thürgerichten, Portalen, Bronnen, und Epitaphien. Wie diselben auss allerley Art der Fünff Seullen gr 5 parts in 1. 209ff. Etched portrait, 5 etched titles, and 195 etched plates in text; 1 copperplate-engraved half-page diagram. Sm. folio. Early full leather (renewed at spine and hinges, preserving nearly all of the original backstrip). First published in parts in 1593-1594, and as a collected edition (in several issues, in Latin, German and French) in Nürnberg, 1598. We quote at length from Harry Francis Mallgrave’s remarks about the book in his essay in the Millard catalogue. “One of the most interesting and important architectural works of sixteenth-century northern Europe is the ‘Architectura von Ausstheilung, Symmetria und Proportia der fünff Seulen’ of Dietterlin... [Dietterlin’s] artistic fame and influence was unparalleled in Germany in the first two decades of the seventeenth-century, and in this respect and others, his significance, especially in his dissemination of Renaissance decorative forms in Germany, parallels and even transcends that of Vredeman in the Netherlands.... What makes Dietterlin’s decorative style so unique and important for architecture is twofold: first, the very high artistic quality of the 203 engraved plates; and second, the way in which the painter (as he identifies himself on the title-page) attempts to interpret the Vitruvian and Serlian tradition of classical architecture in a private, lively, and imaginative style that was, as one of his earlier biographers phrased it, ‘almost impressionistic,’ if not a forerunner to the German baroque. Dietterlin, in effect, mediates or filters the tradition of Vitruvius or Serlio through such column books as that of Blum, but even here important distinctions or departures are already in evidence.... Each of the five books is devoted to one order and iconographic theme based on the Vitruvian explanation of its origin. Each book begins with plates relating the order’s basic geometry or proportions, before passing to its decorative appurtenances with a lively if not sometimes nightmarish sensitivity. Terror and dementia are sometimes the impressions evoked by these images, as Dietterlin combines architectonic, human and animal forms with a pre-Piranesian sense of fantasy and humor that is unparalleled within the architectural literature of this time. There is scarcely a distinction in his forms between what is organic or inorganic, as walls, portals and windows breathe with empathetic life. Humanist architecture for Dietterlin is entirely corporeal, moving, and animate.... The technical or artistic execution of the plates also elevates the book above any other northern treatise of the sixteenth century, but this achievement is so self-evident to the reader that it is scarcely worth noting.” Consistently foxed in the margins, generally outside the image; one plate with early extension at outer margin, and with a small hole within the etching. This copy with strong impressions of the plates, and complete with the portrait, which is often missing.

            Nürnberg (Paulus Fürst), 1655.                                                                                                                                 $7,500.00

            Cf. (citing various editions and issues): The Millard J. Millard Architectural Collection, III: Northern European Books (National Gallery of Art, Washington, D.C., 1998) p. 25ff., nos. 28-29; Berlin 1942; Cicognara 49; Schlosser p. 421; Guilmard p. 378; Fairfax Murray Early German 134; Besterman p. 29; Brunet II.706; Graesse II.391; Ornament und Entwurf 50; Kunstbibliothek Berlin: Architektur in Darstellung und Theorie 100; Brown University: Ornament and Architecture 40; Dumbarton Oaks: Fons Sapientiae 11

    53    DU CERCEAU, JACQUES ANDROUET. [Praecipua aliquot romanae antiquitatis ruinarum monimenta vivis prospectibus ad veri imitationem affabre designata.] 24 etched plates, trimmed but nearly all preserving ruled borders (a few plates trimmed fractionally within the border). Average dimensions (slightly irregular): 150 x 185 mm. (5 7/8 x 7 1/8 inches). Mounted in a modern album, on leaves of Dutch handmade paper, the suite is accompanied by a leaf of old laid paper, probably the front flyleaf or inner front cover of an early binding, on which are carefully inscribed five contemporary English signatures (four of these seemingly written by the same hand). Each plate is titled within the image, in various locations at the top. Oblong 4to. Modern full vellum over boards, fillets ruled in blind. This suite of views of Roman antiquities, complete except for the title-page, is a reduced re-engraving by Du Cerceau of a series by the Flemish printmaker Hieronymus Cock, published in Antwerp in 1551 under the same title. Cock’s suite, larger in format (ca. 230 x 325 mm.), was also re-engraved in reverse by Battista Pittoni in Venice in 1561, serving as a model for Veronese in his frescoes at the Villa Maser. The Pittoni series was republished in Venice in 1582 as illustrations in Vincenzo Scamozzi’s “Discorsi sopra l’antichità di Roma.”

            The subjects of the prints (not including the title) are as follows: Tempio della Pace (2), Colosseum (9), Palace of Septimius Severus, Capitol, Ponte dei Quattro Capi, Palace of the Emperors (4), Baths of Caracalla (2), Baths of Diocletian, and ‘uncertain’ ruins (3). Fine impressions; occasional soiling and rubbing, a few printer’s creases, but in general a very fine set.

            [Orléans or Paris, post 1551].                                                                                                                                    $6,000.00

            Geymüller p. 299f.,; Museum Boymans-van Beuningen: In de Vier Winden: De prentuitgeverij van Hieronymus Cock 1507/10-1570 te Antwerpen (Rotterdam, 1988), no. 15ff.; Berlin 1836

    54    Œuvre de JACQUES ANDROUET DIT DU CERCEAU: 35 grandes arabesques. Série complête. Héliogravure par Édouard Baldus. Title and 35 heliogravure plates, printed with large margins on uncut sheets of Arches. Folio. Replacement portfolio (rebacked and somewhat worn).

            Paris, n.d.                                                                                                                                                                      $250.00

    55    Judson, J. Richard. The Drawings of JACOB DE GHEYN II. 44, (4)pp., 111 plates. 4to. Cloth. D.j.

            New York (Grossmann Publishers), 1973.                                                                                                                     $65.00

    56    Regteren Altena, I.Q. van. JACQUES DE GHEYN. Three generations. 3 vols. I: Text. xi, (1), 190pp. 132 illus. II: Catalogues. 194, (2)pp. Frontis., catalogue illus. III: Plates. 285, (3)pp. 586 illus. Lrg. 4to. Cloth. Slipcase.

            The Hague (Martinus Nijhoff), 1983.                                                                                                                             $400.00

    57    Holderbaum, James. GIAMBOLOGNA. (I Maestri della Scultura. 13.) (8)pp., 16 color plates. 3 text illus. Folio. Wraps.

            Milano (Fratelli Fabbri), 1966.                                                                                                                                          $17.50

    58    Roma. Palazzo dei Conservatori, Sala degli Orazi e Curiazi. La Venere del GIAMBOLOGNA dal Palazzo dell’Ambasciata degli Stati Uniti a Roma. July-Sept. 1993. Texts by Enrico Bruschini and Maria Elisa Tittoni. 16pp., 16 plates. 3 figs. Lrg. 4to. Wraps.

            Roma, 1993.                                                                                                                                                                    $27.50

    59    Banti, Anna. GIOVANNI DA SAN GIOVANNI. Pittore della contraddizzione. 253, (3)pp. 144 illus. 4to. Cloth. D.j.

            Firenze (Sansoni), 1977.                                                                                                                                              $175.00

    60    Giglioli, Odoardo H. GIOVANNI DA S. GIOVANNI. (Piccola Collezione d’Arte. 7.) (2), 12pp., 49 plates. Wraps. Library binding.

            Firenze (Istituto di Edizioni Artistiche), 1920.                                                                                                                  $20.00

    61    Philadelphia. Philadelphia Museum of Art. The “Pen Works” of HENDRICK GOLTZIUS. [By] Lawrence W. Nichols. Nov. 1991-Feb. 1992. (Bulletin. Winter 1992.) 57pp. 51 illus. 4to. Wraps.

            Philadelphia, 1991.                                                                                                                                                          $17.50

    62    Reznicek, E.K.J. HENDRICK GOLTZIUS. Drawings Rediscovered. Supplement to ‘Die Zeichnungen von Hendrick Goltzius’ (1961). 92pp. 10 color plates, 80 illus. 4to. Wraps.

            New York (Master Drawings Association), 1993.                                                                                                         $50.00

    63    Rotterdam. Museum Boymans-van Beuningen & Haarlem. Teylers Museum. HENDRIK GOLTZIUS als tekenaar. May-July/ July-Aug. 1958. Text by E.K.J. Reznicek. 84pp. 49 plates. Sq. 4to. Wraps.

            Rotterdam/ Haarlem, 1958.                                                                                                                                              $40.00

            Freitag 4573

    64    Zimmer, Jürgen. JOSEPH HEINTZ der Ältere als Maler. 187, (3)pp., 6 color plates. 120 illus. hors texte. 4to. Cloth. D.j. Catalogue raisonné.

            Weissenhorn (Anton H. Konrad Verlag), 1971.                                                                                                              $65.00

    65    Hendrix, Lee & Vignau-Wilberg, Thea. Mira Calligraphiae Monumenta. A sixteenth-century calligraphic manuscript inscribed by Georg Bocskay and illuminated by JORIS HOEFNAGEL. Preface: Thomas Kren. x, 412pp. Prof. illus. Lrg. 8vo. Cloth. Slipcase.

            Malibu (The J. Paul Getty Museum), 1992.                                                                                                                    $135.00

    66    MANDER, CAREL VAN. Das Leben der niederländischen und deutschen Maler. Textabdruck nach der Ausgabe von 1617. Übersetzung und Anmerkungen von Hanns Floerke. (Kunstgeschichtliche Studien der Galleriestudien. IV. Folge.) 2 vols. 460pp., 20 plates; 492pp., 20 plates. 4to. Publisher’s boards, 1/4 vellum. Parallel texts in Dutch and German.

            München/Leipzig (Georg Müller), 1906.                                                                                                                        $225.00

    67    MANDER, CAREL VAN. Le livre de peinture. Textes présentés et annotés par Robert Genaille. (Miroirs de l’Art.) 206, (2)pp. Illus. Sm. 4to. Wraps.

            Paris (Hermann), 1965.                                                                                                                                                   $25.00

    68    Bueren, Truus van. ‘de beste Schilders van het gantsche Nederlandt.’ KAREL VAN MANDER en de Haarlemse schilderkunst. 63, (1)pp. 83 illus. 4to. Wraps.

            The Hague (Sdu/ Openbaar kunstbezit), 1994.                                                                                                              $27.50

    69    Hymans, Henri. Le Livre des Peintres de CAREL VAN MANDER. Vie des peintres flamands, hollandais et allemands (1604). Traduction, notes et commentaires par Henri Hymans. (Bibliothèque Internationale de l’Art.) 2 vols. (2), 415, (3)pp.; 494, (8)pp. Prof. illus. Folio. Marbled boards, 1/4 cloth. Orig. wraps. bound in. Ex-library; shaken. Edition limited to 500 numbered copies.

            Paris (J. Rouam), 1884-1885.                                                                                                                                       $550.00

    70    Noë, Helen Aldert. CAREL VAN MANDER en Italië. Beschouwingen en notities naar anleiding van zijn “Leven der deestijtsche doorluchtighe Italienische Schilders.” xi. (1), 370, (2)pp. 62 illus. hors texte. 4to. Cloth.

            The Hague (Martinus Nijhoff), 1954.                                                                                                                             $125.00

            Freitag 7516

    71    (MANDER, CAREL VAN) Noë, Helen Aldert. Een nederlands schilder uit de zestiende eeuw over italiaanse kunstenaars. Beschouwingen an aantekeningen betreffende Carel van Mander en zijn “Leven der dees-tijtsche doorluchtighe Italiaensche Schilders.” Proefschrift...Rijksuniversiteit de Utrecht. xi, (166)pp. 4to. Wraps.

            The Hague (Martinus Nijhoff), 1953.                                                                                                                               $50.00

    72    Affò, Irene. Vita del graziosissimo pittore Francesco Mazzola detto Il PARMIGIANINO. viii, 111, (1)pp. Sm. 4to. Self-wraps., with marbled paper spine. The cardinal work on Parmigianino. A trace foxed; a very nice copy.

            Parma (Filippo Carmignani), 1784.                                                                                                                                 $950.00

            Freitag 9413; Schlosser p. 576; Brunet 31056

    73    Bossi, Benigno. Raccolta di disegni original di Fra.co Mazzola detto il PARMIGIANO, tolti dal Gabinetto di sua eccellenza il sig.re Conte Alessandro Sanvitale. Incisi da Benigno Bossi milanese, Stuccatore Regio e Professore della Reale Accademia delle Belle Arti. Dec. etched title and privilege, allegorical dedication, and 26 (only, of 29) etched plates, of which 9 printed in bistre and 5 in sepia, with roulette work. Folio. Loose sheets, neatly stabbed at left, where removed from a binding. Printed on heavy laid stock. The through-numbering has been effaced on a number of the plates; intermittent wear, including one plate torn into (a blank section of) the print.

            Parma, 1772.                                                                                                                                                              $1,800.00

            Cicognara 3409

    74    Di Giampaolo, Mario. PARMIGIANINO. Catalogo completo dei dipinti. (I Gigli dell’Arte. Archivi di Arte Antica e Moderna. 19) 159pp. 55 plates, text and reference figs. Sm. 4to. Wraps.

            Firenze (Cantini), 1991.                                                                                                                                                   $30.00

    75    Fröhlich-Bum, Lili. PARMIGIANINO und der Manierismus. (6), 200pp., 24 gravure plates. 195 illus. Lrg. 4to. Marbled boards, 1/2 leather.

            Wien (Anton Schroll), 1921.                                                                                                                                          $250.00

            Freitag 9418; Lucas p. 176

    76    Popham, A. E. The Drawings of PARMIGIANINO. 71, (1)pp., 72 plates. 4to. Cloth. D.j. From the library of Elizabeth Mongan.

            New York (Beechhurst Press), 1953.                                                                                                                            $35.00

    77    Firenze. Uffizi. Gabinetto Disegni e Stampe. Mostra di disegni di PERINO DEL VAGA e la sua cerchia. Catalogo critico a cura di Bernice Davidson. (Cataloghi. Vol. 23.) 687, (8)pp., 50 plates. Sm. 4to. Wraps. (loose).

            Firenze (Leo S. Olschki), 1966.                                                                                                                                      $45.00

            Arntzen/Rainwater L8

    78    Le Journal de JACOPO DA PONTORMO. Traduit par Jean-Claude Lebensztejn avec la collaboration d’Alessandro Parronchi. Avec un commentaire et des annexes. (Série: Monographies.) 357, (3)pp. 146 illus. Lrg. 4to. Cloth. Slipcase.

            Paris (Éditions Aldines), 1992.                                                                                                                                      $125.00

            Freitag 9905

    79    Berti, Luciano. L’opera completa del PONTORMO. (Classici dell’Arte. 66.) 111, (1)pp. 64 color plates. 138 catalogue illus. Lrg. 4to. Boards. D.j.

            Milano (Rizzoli), 1973.                                                                                                                                                     $50.00

            Freitag 9894

    80    Berti, Luciano. PONTORMO. (“Il Più Eccelenti.” Vol. 1.) 321, (3)pp., 20 tipped-in color plates. 188 illus. Lrg. 4to. Cloth.

            Firenze (Il Fiorino), 1966.                                                                                                                                              $400.00

            Freitag 9895

    81    Clapp, Frederick Mortimer. JACOPO CARUCCI DA PONTORMO. His life and work. With a foreword by Frank Jewett Mather, Jr. xxviii, (4), 355pp., 153 collotype plates. Stout 4to. Cloth.

            New Haven (Yale University Press), 1916.                                                                                                                  $175.00

            Freitag 9896; Lucas p. 179

    82    Firenze. Palazzo Strozzi. Mostra del PONTORMO e del primo manierismo fiorentino. March-July 1956. Texts by Mario Salmi and Luciano Berti. xx, 145, (3)pp., 128 plates. Lrg. 8vo. Wraps.

            Firenze, 1956.                                                                                                                                                                 $37.50

            Freitag 9902

    83    Mayer, Rosemary. PONTORMO’s Diary. In collaboration with Julia Ballerini and Richard Milazzo. 167, (3)pp., 32 color plates. Text illus. Sm. 4to. Wraps.

            New York (Out of London Press), 1979.                                                                                                                        $15.00

    84    New York. Christie, Manson & Woods International Inc. An Important Painting by PONTORMO from the Collection of Chauncey D. Stillman. Sale, May 31, 1989. 39, (13)pp. Prof. illus. 4to. Cloth. D.j.

            New York, 1989.                                                                                                                                                             $17.50

    85    Nicco Fasola, Giusta. PONTORMO o del Cinquecento. 62, (2)pp., 49 plates (3 tipped-in color). 4to. Boards, 1/4 cloth.

            Firenze (Arnaud), 1947.                                                                                                                                                 $40.00

    86    Rearick, Janet Cox. The Drawings of PONTORMO. 2 vols. viii, (2), 452, xvii pp., 393 plates. 4to. Cloth. D.j. Presentation copy, inscribed by the author to Agnes Mongan.

            Cambridge (Harvard University Press), 1964.                                                                                                              $450.00

            Freitag 9906; Lucas p. 179

    87    Franklin, David. ROSSO in Italy. The Italian career of Rosso Fiorentino. x, 326pp. 211 illus. (partly color) Lrg. 4to. Cloth. D.j.

            New Haven/London (Yale University Press), 1994.                                                                                                       $40.00

    88    Kusenberg, Kurt. LE ROSSO. (Les Maîtres du Moyen Age et de la Renaissance. Vol. 7.) 230, (2)pp., 80 gravure plates. Lrg. 4to. Cloth. Edition limited to 1650 numbered copies on alfa.

            Paris (Albin Michel), 1931.                                                                                                                                            $225.00

            Freitag 10951; Lucas p. 187; Chamberlin 2439

    89    Rotterdam. Museum Boymans-van Beuningen. Catalogus schilderijen en teekeningen PIETER JANSZ. SAENREDAM, 1597-1665. Dec. 1937-Jan. 1938. Text by D. Hannema. 28pp., 27 plates. Lrg. 8vo. Wraps.

            Rotterdam, 1937.                                                                                                                                                             $27.50

    90    Rotterdam. Museum Boymans-van Beuningen. Perspectives: SAENREDAM and the Architectural Painters of the 17th Century. Organized by Jeroen Giltaij and Guido Jansen. Sept.-Nov. 1992. 326pp. Prof. illus. Lrg. 4to. Cloth. D.j.

            Rotterdam, 1991.                                                                                                                                                           $200.00

            Freitag 11197

    91    Schwartz, Gary & Bok, Marten Jan. PIETER SAENREDAM: The Painter and His Time. Complete edition. 356pp. 275 illus. (55 color). Lrg. 4to. Cloth. D.j.

            Maarssen/The Hague (Gary Schwarz/ SDU), 1990.                                                                                                    $135.00

            Freitag 11200